Wednesday, February 6, 2013

Lens On: Dialog Tags


Lens On: Dialog Tags
By Brad R. Cook

Do we read tags, or do our brains just absorb them and focus on the next line of dialog?

I do know this, there isn’t one answer, there isn’t even a right answer, but there are some suggestions.

Today I am focusing The Writers’ Lens on Dialog Tags, those pesky little sentences that hook on to our characters speeches. Most are short, some are overly wordy, but all are packed with information. Do we even need them, though?

For those who are uncertain what I am talking about, Dialog Tags announce who is speaking in the text. They most often are identified as: I said, he said, she asked.

When Should A Dialog Tag Be Used?
            Anytime a new character speaks on a page. Dialog tags are there for the reader, as the writer we know who is talking, we can hear them clearly in our heads, but the reader might be a little confused especially when there’s a crowded room of people talking over each other. A few tags can go a long way.

            It is essential to tag dialog when two or more characters are on the page. Think of a movie, they way the director jumps from one close up face shot to another when people are talking, they are visually tagging the conversation. It’s no different for writers. Identify who is speaking and the reader won’t have to reread to clarify.

When don’t you need dialog tags?
            When you only have two characters. If there are only two people talking on the page then after you have established the order you no longer need the tags. The conversation becomes a back and forth that is easily followed. It helps if the characters have different voices.
           
            When the context of the surrounding paragraphs describes the character. If you just got done writing about the character stepping up to a podium, then you don’t need a tag, the reader will know who is speaking.

            If you are Ernest Hemingway.

Said Brad vs. Brad Said
            Does order matter? No. Just use one and stick with it!

Which Dialog Tag Should I Use?
            Said, always use said. Most readers expect to see said, so the brain doesn’t even register it, we simply read the tag and move on. Because of this it can actually be distracting to use different tags.

            But what about asked, whispered, shouted, agreed, or any of the other descriptors? Here’s where the rules get murky, you can use them, sometimes you should use them… BUT you need to ask, should you just use said and move on, or do you need to use a different descriptor.

Which Dialog Tags Should I NOT Use?
            Telling Tags. “What a day.” I lamented. This says nothing, one could argue that the writer needs to mention the character’s feelings in the tag because “what a day” could mean anything without context, and they’d be right. But show the lament, or else you’ve missed a great chance to explore the character. Always show.  The same goes for declared, regretted, bragged, or… you get my point.

            Unneeded Tags. “Damn You!” I screamed. Readers are smart; an exclamation point is universal for screaming, shouting, or any number of similar emotions. Save the white space and add two words to some other description.  

Can I Conveying Action With Dialog Tags?
            Yes. But…be careful, you don’t want to slow up the pace of the conversation. So use when it is necessary. Here is also where you find two differences of thought. Some say you shouldn’t use action tags like laughed, smiled, or frowned. That action cannot be spoken and should not be in the dialog, but I would disagree. I would say that a sentence could call for action between the dialog. “That’s funny.” I chuckled. “But we really should get back.”

And since we’re on the subject,

Where Should I Put The Dialog Tag? Before, After, or In-between?
            Before or after – that’s up to a personal preference and how you identify characters. Some would say to identify the character before they speak to help the reader, others would argue that it should go at the end because it is the conversation that is more important. You decide, but only use one.

            In-between – yes! A great way to break up long monologues is with actions tags. People rarely stand stiff as a board and talk. We are animated creatures, usually performing multiple tasks at once. Only politicians like long speeches.

Well, I hope that helps everyone understand Dialog Tags. If you want a fun exercise, check out how your favorite authors tag their books. It’s something I notice now and I always get a kick out of it.

What is your favorite place for a Dialog Tag, or how do you feel about the said only world we now live in? Let us know in the comments.



Brad R. Cook is a historical fantasy author and President of St. Louis Writers Guild. Please visit www.bradrcook.com or follow me on Twitter @bradrcook https://twitter.com/bradrcook

Monday, February 4, 2013

Tax Tips for Writers


Tax Tips for Writers
By Brad R. Cook from a Workshops for Writers presentation by Faye Adams

Taxes… no anything but taxes…
Too many receipts, ever changing rules, and complex math… *rips out hair*

But… with just a few simple steps I can save money and so can you… YEAH!

This weekend St. Louis Writers Guild held its February Workshop for Writers: Money Saving Tax Tips for Writers presented by Faye Adams.

Faye gave a wonderful workshop to a packed-room, and has given these tax workshops for writers for several years. I wanted to share some of her words of wisdom, because they are so valuable for any writer.

I assembled some of the tweets from the workshop. If you want to read all the tweets from the workshop check out the hash tag #slwg or check out @stlwritersguild on Twitter.





Faye Adams is the two-time Missouri Senior Poet Laureate, and a wonderful children’s author. She was a tax professional for a number of years. For more about Faye Adams please visit www.fayeadams.com

I would also recommend attending the “Artist as Bookkeeper” workshop hosted by the Volunteer Lawyer and Accountants for the Arts (VLAA) on Monday, February 11, 2013. For more information about the workshop visit www.vlaa.org 

Many thanks to Faye Adams for such an informative workshop, and to St. Louis Writers Guild’s Workshops for Writers for providing excellent programming. Also a thank you to @Rockets2Writing for the tweets.



Brad R. Cook is a historical fantasy author and President of St. Louis Writers Guild. Please visit www.bradrcook.com or follow me on Twitter @bradrcook https://twitter.com/bradrcook
To learn more about St. Louis Writers Guild, visit www.stlwritersguild.net Saint Louis Writers Guild on Facebook or on Twitter @stlwritersguild

Wednesday, January 30, 2013

Meet Frazier Boy 2/2 at 6 North Cafe

Meet Frazier Boy, author of The Hustle, from 10 a.m. to noon, Saturday, Feb. 2 at:
6 North Café
14438 Clayton Road
Ballwin, MO 63011
 
Growing up in the gritty streets of St. Louis, Terrance Frazier has either been through or seen practically everything that the street life has to offer. The only thing the game gave him was a lot of heartache, pain, misery, and a ten-year federal prison sentence. It was there he discovered his talent and love for reading and writing urban novels. 

His goal is to entertain and educate in hopes that the world will get to know Frazier Boy, the author, on a more intimate level, and hopefully fall in love with his art of storytelling. 

"I’m not saying that I’m here to change the game, but to add to it and establish a solid fan base..."

THE HUSTLE: Fresh off of a ten-year bid, Sean Martin returns to the streets, where he once grinded his way to the top of the game. Before his incarceration, Sean had it all--a beautiful woman, a handsome newborn son, and all the finer things in life. He was THE MAN. However, all of that changed when he went to prison. He lost everything! New and improved, Sean sets out to achieve his goals with a new hustle, but he needs start-up money. On his first night out of prison an unfortunate incident seems to be a blessing from above.

Autographed books will be available Feb. 2 for purchase. Online at: www.dcbookdiva.com

Friday, January 25, 2013

From a Crime Writer’s Library—Criminal Poisoning: Investigational Guide Enforcement, Toxicologists, Forensic Scientists, and Attorneys


Not long ago, I shared one of the best books on poisons that writers can use to write about poisoning. Today, I am sharing my number two resource: Criminal Poisoning: Investigational Guide Enforcement, Toxicologists, Forensic Scientists, and Attorneys by John Harris Trestrial, III, RPh, FAACT, DABAT.  While the second edition was published in 2007 by Humana Press. You should be able to find it online or (hopefully for a cheaper price) at a used book store (or even at your friendly neighborhood library (or college/university library))

With an easy to understand writing style, cartoons and graphs, and poetry (yes—poetry), John Trestrail takes the reader through the types of  poisons, how a crime scene(s) should be handled and what to look for in an autopsy.  One of the best chapters for planning any crime story (mystery) is Chapter 10. He breaks down the method of investigation by using victimology as the starting point, just as the Special Agents with the FBI Behavioral Analysis Unit (commonly incorrectly named by “Hollywood” as profilers).  Before I discuss the chapters in this book, let me quickly outline the method that Trestrial uses in Chapter 10. (also see my previous posts on the Writers’ Lens: The Murder’s Ladder (http://www.thewriterslens.com/2012/01/murderers-ladder.html ) and The Fluid or Unstatic Theory of Plots (http://www.thewriterslens.com/2011/11/erle-stanley-gardners-fluid-or-unstatic.html).  Sadly, for me, Trestrial does this in a more visual and effective method.


1. Who?
                A. Study the victim
    B. How + Why = Who
                C. Was the victim random or targeted?

2. What?
                A. Since this is a book on poisoning: Was the poison solid, liquid, or gas?
                B. How was the poison absorbed?
3. Where?
                A. With a poisoning (as with a shooting and a few other methods of homicide), there may be multiple crime scenes.
                B. With a poisoning, there may be crime scenes for:
                                1.The scene of procurement of the poison;
                                2. The scene where the poison is prepared;
                                3. The scene where the poison is administered;
                                4. The scene where the evidence is disposed;
                                5. The scene where the victim dies.
4. When?
                A. Poisons take time to work, even the fast acting ones.
                B. How to detect:
                                1. If fast acting: Blood, Urine, Gastric content
                                2. If slow acting: same as 1, but add hair.
5. Why?
                A. What did the victim stand in the way of?
                B. Why did the victim become the victim—Why them, at that moment.
6. How?
                A. How was the poison administered?
7.Put the clues together.
8. (And this is the scary part, even for me) If the investigators don’t consider poison in the first place, it will never be detected.

If you think reading the above quick outline is enough, you have sadly undersold yourself and your audience (regardless if you are a crime fiction writer or happen to have a poisoning in any other genre.).  Criminal Poisoning  is broken down into 10 chapters, with appendix that cover:
Chapter 1: Poisoners Throughout History
Chapter 2: Types of Poisons
Chapter 3: Poisoners
Chapter 4: Victims
Chapter 5: Crime Scene Investigation
Chapter 6: The Forensic Autopsy
Chapter 7: Proving Poisoning
Chapter 8: Poisoners in Court
Chapter 9: Poisoners in Fiction
Chapter 10: Conclusion
Appendixes:
                Some Common Homicidal Poisons
                Bibliographies on Homicidal Poisoning

If any story you write has poison involved (even if it is some kind of made up poison on some distant world), you will want to have this book as a reference.

Do you have a reference book you like to use for your crime research?  Don’t be shy. Please share the title, author and why in the comments.  I will take a look at it and I may include it in a future From a Crime Writer’s Library post.

Thank you for reading and please visit www.davidalanlucas.com and www.thewriterslens.com. You can also follow me on twitter @Owlkenpowriter and the Writer’s Lens @TheWritersLens. Fiction is the world where the philosopher is the most free in our society to explore the human condition as he chooses

Wednesday, January 23, 2013

You & the Library Request Exchange

By T.W. Fendley


Be advised--you will be asked to take action at the end of this post. (Don't worry--there won't be a test.)

My husband and I are big library fans. We're at the local branch a couple of times a week, and between visits, we download ebooks and audiobooks. We got our grandkids cards so we could take them to our county library when they visit, and they look forward to going, too. We contribute as "Friends of the Library." Our lives would be far less interesting and informed without the library system.

Because of that, marketing to libraries was high on my "to do" list before my debut novel was published in October 2011. Some people may wonder why I'd rather have my book in libraries than on the shelves at Barnes & Noble, but it's all about readers. As a May 2009 "Library Journal" article stated, "Libraries are far more than a market…Libraries create readers." 

In hard economic times, they also provide a way to keep those readers reading. According to the latest federal nationwide public library survey, published in October 2011, visits nationwide to public libraries totaled 1.59 billion, or 5.4 library visits per capita. There were 2.41 billion circulations of library materials (8.1 per capita).

Of course, many library readers are also book buyers, and libraries buy a lot of books. The study reported libraries spent $1.3 billion, and library sales accounted for about 40 percent of the children's book market and more than 10 percent of the $27 billion book industry.

I want my book to be in libraries, and I want yours to be there, too. But, as I soon discovered, if you are published by a small press or are self-published, that isn't always easy. I found this explanation, excerpted from a Library Journal fact sheet, on "How To Reach Public Librarians and How To Annoy Them." Among public librarians who responded to an online survey, the top four preferred methods of finding out about new publications to add to their libraries' collections are (in rank order):
  • Pre-publication reviews
  • Post-publication reviews
  • Patron recommendations
  • Descriptions of forthcoming books from vendors

Getting reviewed in Publishers Weekly, the trade magazine for the industry, or in Booklist, Library Journal, and Kirkus Reviews are critical, but almost impossible without advance reading copies (ARCs). If your books are print-on-demand, as most small press and self-published books are, it's unlikely you'll get pre-publication reviews. Even post-publication, it's difficult to get reviewed, despite wonderful reader-review programs at Goodreads and Library Thing. 

Although I continue to diligently seek post-publication book reviews, I was finally able to get an ebook copy of my book in the local library by using the third option above: patron recommendations.

Which brings me to the part of the post I warned you about: a call to action.

LIBRARY REQUEST EXCHANGE


Ripley Patton, a fellow Broad Universe member, initiated the Library Request Exchange idea. I had considered it, but previously reached out only to my family and critique partners. What is intended is a grassroots effort for writers like you and me, which will benefit readers everywhere who would want to read our books if they knew about them.

Here's how it works:
  1. We exchange book info: Author, Title, Publisher, ISBN, genre/subject
  2. Then you put in a request at your local library for my book, and I put in a request at mine for your book.
Simple, right?

Here's the information you'll need to submit the patron recommendation to your library (note: Your library may have two places to enter request--one for print and one for ebook, which have different ISBNs.)
  • Author:
  • Title:
  • Publisher:
  • ISBN (print):
  • ISBN (ebook):
  • genre/subject:
Another BU author, Kristi Petersen Schoonover, suggested gathering everyone's information together rather than doing individual email exchanges. To simplify things even further, I thought we could use the comment section of a Library Request Exchange page to enter our information. Authors can join the exchange at any time through the Library Request Exchange link at the top of this website's right sidebar under "Pages."

Once your library advises you they've accepted your purchase request, it would be good to advise the author so he/she can publicize its availability. Active interest will encourage the library to make future purchases of that author's work.

Here's an example of how to make a patron recommendation at the St. Louis County Library, I select "Suggest A Purchase" under the "Library Links" on the Home Page: http://www.slcl.org/using-the-library/suggest-a-purchase

I'll get things started with my book information, and look forward to seeing yours.



Monday, January 21, 2013

Pamela Foster: Writing about ordinary people doing their best--and Bigfoot


Welcome to Pamela Foster, a bona fide member of The Sisterhood of the Traveling Pen. But you'll find out more about that later. 

Pamela’s first novel, Redneck Goddess, was set in south Georgia. Bigfoot Blues takes place in the Pacific Northwest. Regardless of the setting, and wrapped around the humor and the suspense and the struggles of her characters, Foster always leaves the reader with a renewed joy in the small moments in life. Her novels are a celebration of ordinary people doing their best and, in the process, often becoming heroes. 

What inspired your latest book, Bigfoot Blues? As a child, I spent summers with my grandparents in Peckwan, an isolated, rural community known for its Bigfoot encounters. People talked about Bigfoot. They saw Bigfoot.  Found footprints.  Ran from him in the woods.  There was fascination and fear and love for Bigfoot.  I swam in Bluff Creek and rode baby pigs down the poison oak slopes of Blue Mountain with children who accepted Bigfoot’s existence as a natural part of the world around them.  And I did the same.

So, when I wanted to write a novel about a young woman raised in culture of belief that set the faithful apart from most of the world, a heroine struggling to find her own path without betraying the family that raised her, I choose to create Samantha, whose father is a well-known Bigfoot hunter.  I could have made Samantha a Muslim, or even some extreme version of fundamentalist Christianity.  But the insular world of beauty and awe that I know about is the world of Bigfoot.

Besides, I loved those summers spent in the mountains of Northern California and returning to them again in my imagination, was great fun.  I set the book in my home town of Eureka (which clings to the Pacific coast at the edge of the Coastal Range) and then sent Samantha and her crew of misfits and unlikely heroes into the mountains around Peckwan and Weitchipec–Bigfoot Country.  The characters, as all good characters do, came alive and moved the book in a slightly different direction than I intended when I wrote the opening chapter.  These multi-layered, funny, down-home characters had a glorious romp and brought the story home.

What do you think your readers will like about Bigfoot Blues? The book transports the reader to a foggy, quirky land in the Pacific Northwest.  Readers feel the wet, cold beauty of the area and become believers in Bigfoot, even if that faith lasts only until they close the book.  Sense of place is strong in all my books and Bigfoot Blues is steeped in the mist and redwoods, bays and lagoons of Humboldt County.  The Holy Trinity of writing–Sense of Place, Point of View and Internalization–these are my strongpoints. There is also humor and the reader will laugh out loud as they become Samantha, the Bigfoot hunters daughter.
I’ve already written two sequels to Bigfoot Blues, so once the reader has settled into Samantha’s world, they’ll be able to visit frequently.

Is there a different genre you’d love to try to write? Both of my published novels, Redneck Goddess, Bigfoot Blues, are contemporary fiction.  My agent at Sullivan and Max is hunting a publishing home for two books, Limited Visibility and The Perfect Victim. Both of those novels are contemporary fiction. Even my non-fiction On the Move with Chesty and Rocca is contemporary.

Now I’m writing a western, Ridgeline, set right after the Civil War.  I write in first person, present tense.  I know that’s unusual, but I do it well.  The western is written in third person, past tense.  Evidently, I love a challenge.

What’s your favorite way to interact with fans/readers? I love to teach writing.  I do day-long workshops on The Holy Trinity of Writing or, for shorter presentations, break it down and teach only sense of place, or point of view, or internalization.  Since the release of Bigfoot Blues I’ve discovered that people are fascinated with Bigfoot and I’ve begun to do talks on The Big Guy.  I’m also a part of The Sisterhood of the Traveling Pen–five women authors, traveling together on the winding road to overnight success. This group is a joy and we’re having a terrific time speaking and team-teaching.

Whether it’s as a single speaker or with The Sisterhood, teaching and presenting workshops always teaches me something.  I learn from those I’m teaching.  And, of course, ham that I am, there’s just nothing like being the center of attention at the front of a room and when writers get better at their craft because of something I shared, well, it doesn’t get any better than that for me.

You can find Pamela at: http://pamelafosterspeakerwriter.wordpress.com/      
Amazon: both books are for sale in paper and on Kindle 

We too often fail to see the love and joy that surrounds us. Pamela Foster’s BIGFOOT BLUES explores this truth in a story about one woman’s search to understand the meaning of her life and her place in it. The book takes us on a wild romp through the ancient forests of northern California. We run with an array of shaggy creatures, some of them not even human, led along the way by Samantha Jean, a pistol-packing, redneck woman with a stubborn streak a country mile wide. By the end, you’ll believe in the adventure—and possibly in Sasquatch, too.

REDNECK GODDESS: A hilarious romp with a quirky Georgia family determined to stick to its “old south” ways.









 _____________________ 

This is T.W. Fendley. Thanks for reading and commenting on The Writers' Lens.You can find out more about me at www.twfendley.com.

Sunday, January 20, 2013

The Winner of the Tweeting Giveaway!


Congratulations to Jamie Krakover for winning The Writers’ Lens Tweeting Giveaway!

To learn more about Jamie follow her on Twitter @Rockets2Writing and read her blog too!

You’ll be able to see more tweets about Jaime and everything else The Writers’ Lens is up to by following @writerslens on Twitter.

Thanks to everyone for their comments and hash tag suggestions!

Keep checking back to see what the lens will focus on next!