Wednesday, February 6, 2013
Lens On: Dialog Tags
Monday, February 4, 2013
Tax Tips for Writers
Going back to school or making repairs to your house. Get credit on your taxes - but the energy credit is only $500 - school is better #slwg
— Brad R. Cook (@bradrcook) February 2, 2013
Track mileage from home to work, to writer group events, your critique group, your booksignings, going to buy books include that too #slwg
— Brad R. Cook (@bradrcook) February 2, 2013
Going on vacation? Write an article or go do some research and then its deductible. #slwg #writers
— Brad R. Cook (@bradrcook) February 2, 2013
#slwg check your receipt files quarterly. Separate and total them then you wont be so overwhelmed come tax time.
— Jamie K. (@Rockets2Writing) February 2, 2013
#slwg how to save tax dollars... Number one rule, ask for a reciept and develop a filing system.
— Jamie K. (@Rockets2Writing) February 2, 2013
Most expenses we incur as writers are deductible but you need a receipt. Conferences, contest fees, slwg membership fees and more. #slwg
— Brad R. Cook (@bradrcook) February 2, 2013
Tax return code for writers is 711510 - now you don't have to look it up or send off to the irs. #slwg
— Brad R. Cook (@bradrcook) February 2, 2013
#slwg learn to do your own taxes, trust your instincts, the tax payer wins 90% of cases taken to court!
— Jamie K. (@Rockets2Writing) February 2, 2013
Wednesday, January 30, 2013
Meet Frazier Boy 2/2 at 6 North Cafe
14438 Clayton Road
Ballwin, MO 63011
Growing up in the gritty streets of St. Louis, Terrance Frazier has either been through or seen practically everything that the street life has to offer. The only thing the game gave him was a lot of heartache, pain, misery, and a ten-year federal prison sentence. It was there he discovered his talent and love for reading and writing urban novels.
His goal is to entertain and educate in hopes that the world will get to know Frazier Boy, the author, on a more intimate level, and hopefully fall in love with his art of storytelling.
"I’m not saying that I’m here to change the game, but to add to it and establish a solid fan base..."
THE HUSTLE: Fresh off of a ten-year bid, Sean Martin returns to the streets, where he once grinded his way to the top of the game. Before his incarceration, Sean had it all--a beautiful woman, a handsome newborn son, and all the finer things in life. He was THE MAN. However, all of that changed when he went to prison. He lost everything! New and improved, Sean sets out to achieve his goals with a new hustle, but he needs start-up money. On his first night out of prison an unfortunate incident seems to be a blessing from above.
Autographed books will be available Feb. 2 for purchase. Online at: www.dcbookdiva.com
Friday, January 25, 2013
From a Crime Writer’s Library—Criminal Poisoning: Investigational Guide Enforcement, Toxicologists, Forensic Scientists, and Attorneys
Wednesday, January 23, 2013
You & the Library Request Exchange
Be advised--you will be asked to take action at the end of this post. (Don't worry--there won't be a test.)
- Pre-publication reviews
- Post-publication reviews
- Patron recommendations
- Descriptions of forthcoming books from vendors
Getting reviewed in Publishers Weekly, the trade magazine for the industry, or in Booklist, Library Journal, and Kirkus Reviews are critical, but almost impossible without advance reading copies (ARCs). If your books are print-on-demand, as most small press and self-published books are, it's unlikely you'll get pre-publication reviews. Even post-publication, it's difficult to get reviewed, despite wonderful reader-review programs at Goodreads and Library Thing.
Although I continue to diligently seek post-publication book reviews, I was finally able to get an ebook copy of my book in the local library by using the third option above: patron recommendations.
Which brings me to the part of the post I warned you about: a call to action.
LIBRARY REQUEST EXCHANGE
Ripley Patton, a fellow Broad Universe member, initiated the Library Request Exchange idea. I had considered it, but previously reached out only to my family and critique partners. What is intended is a grassroots effort for writers like you and me, which will benefit readers everywhere who would want to read our books if they knew about them.
Here's how it works:
- We exchange book info: Author, Title, Publisher, ISBN, genre/subject
- Then you put in a request at your local library for my book, and I put in a request at mine for your book.
Here's the information you'll need to submit the patron recommendation to your library (note: Your library may have two places to enter request--one for print and one for ebook, which have different ISBNs.)
- Author:
- Title:
- Publisher:
- ISBN (print):
- ISBN (ebook):
- genre/subject:
Once your library advises you they've accepted your purchase request, it would be good to advise the author so he/she can publicize its availability. Active interest will encourage the library to make future purchases of that author's work.
Here's an example of how to make a patron recommendation at the St. Louis County Library, I select "Suggest A Purchase" under the "Library Links" on the Home Page: http://www.slcl.org/using-the-library/suggest-a-purchase
I'll get things started with my book information, and look forward to seeing yours.
Monday, January 21, 2013
Pamela Foster: Writing about ordinary people doing their best--and Bigfoot
Pamela’s first novel, Redneck Goddess, was set in south Georgia. Bigfoot Blues takes place in the Pacific Northwest. Regardless of the setting, and wrapped around the humor and the suspense and the struggles of her characters, Foster always leaves the reader with a renewed joy in the small moments in life. Her novels are a celebration of ordinary people doing their best and, in the process, often becoming heroes.
What inspired your latest book, Bigfoot Blues? As a child, I spent summers with my grandparents in Peckwan, an isolated, rural community known for its Bigfoot encounters. People talked about Bigfoot. They saw Bigfoot. Found footprints. Ran from him in the woods. There was fascination and fear and love for Bigfoot. I swam in Bluff Creek and rode baby pigs down the poison oak slopes of Blue Mountain with children who accepted Bigfoot’s existence as a natural part of the world around them. And I did the same.
So, when I wanted to write a novel about a young woman raised in culture of belief that set the faithful apart from most of the world, a heroine struggling to find her own path without betraying the family that raised her, I choose to create Samantha, whose father is a well-known Bigfoot hunter. I could have made Samantha a Muslim, or even some extreme version of fundamentalist Christianity. But the insular world of beauty and awe that I know about is the world of Bigfoot.
Besides, I loved those summers spent in the mountains of Northern California and returning to them again in my imagination, was great fun. I set the book in my home town of Eureka (which clings to the Pacific coast at the edge of the Coastal Range) and then sent Samantha and her crew of misfits and unlikely heroes into the mountains around Peckwan and Weitchipec–Bigfoot Country. The characters, as all good characters do, came alive and moved the book in a slightly different direction than I intended when I wrote the opening chapter. These multi-layered, funny, down-home characters had a glorious romp and brought the story home.
Now I’m writing a western, Ridgeline, set right after the Civil War. I write in first person, present tense. I know that’s unusual, but I do it well. The western is written in third person, past tense. Evidently, I love a challenge.
Whether it’s as a single speaker or with The Sisterhood, teaching and presenting workshops always teaches me something. I learn from those I’m teaching. And, of course, ham that I am, there’s just nothing like being the center of attention at the front of a room and when writers get better at their craft because of something I shared, well, it doesn’t get any better than that for me.
We too often fail to see the love
and joy that surrounds us. Pamela Foster’s BIGFOOT BLUES explores this truth in a story about one woman’s search to understand
the meaning of her life and her place in it. The book takes us on a wild romp
through the ancient forests of northern California.
We run with an array of shaggy creatures, some of them not even human, led
along the way by Samantha Jean, a pistol-packing, redneck woman
with a stubborn streak a country mile wide. By the end, you’ll believe in the
adventure—and possibly in Sasquatch, too._____________________

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