Monday, December 10, 2012

Ellen Gray Massey: Never Give Up

Usually The Writers' Lens focuses on fiction, but after meeting Ellen, I wanted to share her story with you -- Teresa

Ellen Gray Massey has published numerous articles, short stories, essays, and books. In 1995 she was inducted into the Writers Hall of Fame of America and her writing has received numerous other awards. From 1973 to 1983 she directed high school students who published Bittersweet, the Ozark Quarterly. 
Her recent books are Our Robin Is Read, Footprints in the Ozarks: A Memoir, The Bittersweet Ozarks at a Glance, and novels, The Burnt District, Her Brothers, Blue and Gray, Her Enemies Blue and Gray, Morning in Nicodemus, Skeleton in the Cistern, and Pioneer Partners.


  
Tell us how Bittersweet--the Ozark quarterly magazine you produced and edited for 10 years--came about. My brother, Ralph Gray on the staff of the National Geographic, suggested I do for the Ozarks what Foxfire in northern Georgia was doing for the Appalachians--recording the local heritage. My school superintendent and principal were willing, my students eager, so we travelled over the Ozarks to interview people for the 40 magazines we published  from 1973 to 1983.

What do you feel is the key to your success? Never giving up.

When and why did you begin writing? I’ve written all my life and majored in English in college, but I seriously began writing myself after I retired from teaching in 1986. I have 29 books to date.

How do you deal with rejection and/or negative reviews? I’ve had hundreds of rejections. I just try sending my manuscripts somewhere else. Or if I think it important enough, I publish it myself. such as I did with A Candle Within Her Soul, a biography of Mary Elizabeth Mahnkey, after being rejected 50 times during 11 years. And I’ve sold more copies of it and received more attention than any of my other books.

Do you use critique partners or beta readers? Why or why not? Yes. I exchange ideas and manuscripts with a few fellow writers because I need unprejudiced opinions and help.

Do you have any advice for other writers?
Never give up. You can write as long as you have a mind.

What inspired your latest book? After my siblings and I had written our round robin letters for over 25 years, I arranged them into topics and sent  a copy to each as a Christmas present. The reaction I received encouraged me to seek a publisher.

What do you think readers will like about your book? It is full of honest respect for one another with comments both serious and humorous of a middle class, mid-American family during the mid-twentieth century. 

 

What makes your book unique?  I don’t know of another book like it. It has eight authors reacting to national and personal events they are sharing with one another.

What are your top three reasons for writing? It is a way to teach what I think is important, it helps preserve permanently what I think is important, and it’s fun. 

What's the highest compliment someone could make about your writing? I couldn’t put your book down. 

Website:
http://www.ellengraymassey.com/news
 

Amazon for softcover book:
http://www.amazon.com/Our-Robin-Is-Read-Wayside/dp/193058444X/ref=tmm_pap_title_0?ie=UTF8&qid=1354208174&sr=1-1
 

Amazon for Kindle

Barnes and Noble for Nook:
http://www.barnesandnoble.com/w/our-robin-is-read-ellen-gray-massey/1113525045?ean=2940015506631&itm=1&usri=our+robin+is+read+voices+from+the+wayside



______________________ 

This is T.W. Fendley. Thanks for reading and commenting on The Writers' Lens.You can find out more about me at www.twfendley.com.

Sunday, December 9, 2012

Holiday Book Fair & Open Mic 12/11

The St. Louis Writers Guild will offer a night of seasonal poetry and prose, and a great selection of signed books ready for gift-giving at the second annual Holiday Open Mic and Book Fair starting at 7 p.m. this Tuesday. 

The public is welcome to this free event at the Kirkwood Train Station, 110 W. Argonne Dr., Kirkwood, Mo. 

Members are invited to bring any books they have for sale, and something yummy to eat. The St. Louis Writers Guild will provide beverages.


Friday, December 7, 2012

Ledgin shares historical research techniques


Sally of Monticello: Founding Mother is Norm Ledgin’s latest historical fiction—“the 38-year love story of Sally Hemings and Thomas Jefferson.” Temple Grandin helped him write the nonfiction Diagnosing Jefferson (2000), followed by Asperger’s and Self-Esteem (2002), the latter republished in France and referenced widely in literature and film. His historical fiction includes The Jayhawker (2006), a Kansas “best books” selection. His mystery, Sour Notes (2009), has prompted a sequel-in-progress, Disharmony.

Website: normledgin.com

Tell us a little about your research techniques. What's important is to read deeply about whatever true character you're weaving into your story. I would estimate everything I've written and lectured about Jefferson required advance reading of forty or fifty volumes before I penned my first line about the man. The effort paid: The University of Kansas has so far hired me five or six times (adjunct) to teach courses about him. Not a bad late-in-life career.

What are some of the online sources for your historical research?

How do you verify the accuracy of your information? To assure any who question the reliability of some online references, the author uses multiple sources always to double-check and often to triple-check factual material, a good journalistic habit.

The Writers’ Lens is about Bringing fiction into focus–what brings your writing into focus, the characters, the stories, the love of words? The characters.

What inspired your latest book? Historians' misunderstanding the character of Sally Hemings, who gave up freedom in France to return to bondage in Virginia voluntarily with her lover, Thomas Jefferson.

How much fact is in your fiction? The work is thoroughly researched. Every action can be accounted for by place and date in Jefferson's records. Every person named in the book actually lived and was where I said he or she was at the time.

What's the highest compliment someone could make about your writing? "I couldn't put it down."

SALLY OF MONTICELLO: Teenaged Sally Hemings, mixed-race slave and sister-in-law to widower Thomas Jefferson, captured his heart while serving his daughters in Paris where he was U.S. Minister. It was there a 38-year relationship began. 

The historical novel, Sally of Monticello: Founding Mother, by Jefferson lecturer N.M. Ledgin, portrays a bright, assertive woman. She resolved his “inner conflict,” according to historian Winthrop D. Jordan, by ridding him of “high tension concerning women and Negroes.” Ledgin based the novel’s timeline on Jefferson’s precise recordkeeping and collection of letters. 

Controversy over the affair and over recent DNA findings continues to fuel books and articles. Sally decided voluntarily to return with Jefferson from slavery-free France to Virginia. They had several children who went free, and they left a mixed-race legacy now woven into the fabric of the nation. This novel is an illuminating take on history. It is filled with emotion and adventure in the voice of a self-educated, sacrificing woman, whose passionate love and devotion helped guide one of our founding fathers.


"What an extraordinary accomplishment. I was held captive all through it, sometimes reading late into the night because I couldn't put it down."
                                                              Elizabeth Black, author of Buffalo Spirits
 You can buy Sally of Monticello at:
 
______________________ 
 
This is T.W. Fendley. Thanks for reading and commenting on The Writers' Lens.You can find out more about me at www.twfendley.com.


Thursday, December 6, 2012

Meet Jill Farmer Dec. 8 at 6 North Cafe

Meet Jill Farmer, author of THERE'S NOT ENOUGH TIME, from 10 a.m. to noon, Saturday, Dec. 8, at:
6 North Café
14438 Clayton Road
Ballwin, MO 63011

In addition to being a certified life coach, Jill Farmer is a wife and the mother of a teen and a pre-teen. For more than a decade, she was an Emmy Award winning consumer reporter and television anchor. 

Jill loves reading, drinking tea, hiking, eating great food, snow and waterskiing, and spiritual stuff. She loves people. But, after 40+ years, Jill has learned how to love being alone and quiet and is getting sort of good at sitting still.

 This book is for anyone who feels like there’s never enough time. It will help you accomplish the things that have meaning and impact in your life, as opposed to just frantically bouncing from one thing to the next with nothing to show for it. You’ll discover how changing one little thought can help you recapture countless hours. These tools have helped everyone from surgeons to stay-at-home moms regain more time to do what they want. It’s a new way of thinking to connect you to the things that matter to you most.

To find out more about Jill's Keynote Speaking for your group or organization, or for more information on coaching go to jillfarmercoaching.com

Autographed books will be available for purchase on Dec. 8.

Wednesday, December 5, 2012

Ten Fatal Mistakes Amateur Authors Make


Guest Post by Nancy L. Baumann “The Book Professor”
TheBookProfessor.com

I own a professional publishing company and receive numerous submissions each year from writers who want to be published. I only work with nonfiction, so the manuscripts are usually from nonprofessional writers who have experienced or learned something that will either save lives, change lives, or have a positive impact on society. Because the writers are amateurs, their writing is usually substandard, and I rarely find a manuscript I can publish. Here are ten common mistakes that send their work to my recycling bin

1. They think they have a great idea.
Before you start writing, make sure you have an original idea. How do you do that? Research, research, research! Read other books in the same genre and on the same topic, and if you find that your message has already been delivered, then save yourself the time and aggravation of writing a book. Better yet, find a unique angle about that topic and write to that perspective.   

2. They love their own writing.
Seasoned authors know the value of outside criticism and will seek it at every opportunity. Amateur writers think that if they scored well in high school English, that they write well and don’t need any feedback. That’s a big mistake. You’re probably not as good as you think you are, and neither am I. An overconfident attitude produces the kind of sloppy writing I toss aside.

3. They think writing will be easy.
Writing isn’t easy and it never has been. It’s a hard discipline and very few can hack it. If it were easy, you would have already written your book! No one has ever accidentally written a book, and neither will you. You must create disciplined deadlines and be accountable to them. Write all the time; practice makes perfect. As Agatha Christie said, “Write even when you don't want to, don't much like what you are writing, and aren't writing particularly well.”

4. They don't know how to start a book.
Think about how you would start any multi-layered project, like building a house. You’d start with a plan wouldn’t you? Your book project should also begin with a plan that you can execute, which will carry you from concept to cover. You must know what you’re trying to accomplish in order to hit the goal. Begin by answering these foundational questions, then write a book that is targeted to your answers.

·         What purpose will the book serve?
·         How is it different from other books published on this same subject?
·         What is the main theme of your story? Secondary themes?
·         What new information or angle does your story present that hasn’t already been heard?
·         Why will people want to read this story?
·         Who is your audience? Define your primary and secondary markets.
·         How will this work impact that audience?
·         What change do you want to invoke in the reader?
·         Why would other recommend this book to others?
·         Finish the sentence: “The purpose of this book is to ­­­­­­­­___________________.”
·       Who would you like to endorse your book? Another expert in the field? A celebrity? Figure that out, then write the kind of book that person would endorse.

5. They don't exhaust the language or expand their style.
Readers appreciate a varied vocabulary, but are impatient with the repetition of words, phrases, and sentence structure. Be sure that your writing is interesting, that there’s a mixture of sentence styles, that you’ve employed active language, and that your verbs are sharp and distinctive. Language matters.

6. They don’t understand grammar and punctuation.
You may not understand the rules of grammar and punctuation, but that doesn’t mean that others don’t. They do, and they’ll spot your mistakes in a flash. There are strict rules for both grammar and punctuation, and you better sharpen those skills if you don’t want to be dismissed.

7. They won’t invest.
So maybe you’re not good at grammar and punctuation? Hire an editor. Not sure if there are mistakes in your manuscript? Hire a proofreader. If you want to self-publish, then hire a professional cover designer and interior designer. Just because you can do everything yourself, that doesn’t mean you should. This is a specialized, professional industry, and you should work with professionals.

8. They trust the opinions of their friends.
Friends and family are great, but they have limitations when it comes to offering you objective feedback. When it comes to writing a book, their opinion doesn’t count. They are inexperienced, care too much about your feelings, and may only tell you what you want to hear. Seek an outside opinion from a professional editor who is trained to critique writing. But brace yourself—this could hurt! Be eager to make the necessary changes to meet professional standards.

9. They don’t know how to end the book.
Your opening line is important, but the ending can make or break a book. How and where do you stop? Decide if you want to tie your story in a neat bow or allow it to continue. Write three or four endings, then choose the one that is most satisfying. Moreover, be sure to tie up loose strings on all subplots, and revisit those foundational questions to be sure you’ve accomplished your stated goals.

10. They are in a hurry.
Amateur authors often set unreasonable deadlines, then latch onto them for dear life. Come hell or high water, they’re going to get their book finished by Christmas, or their birthday, or by any other manufactured deadline that has nothing to do with the book itself. Know this: by the time you’re in the home stretch, you’re going to be sick of your book. You may even hate it. But that doesn’t mean that you push it out the door just to get rid of it. Pull back and be thorough with every edit, with every research item, with every jot and tittle. Exercise a firm discipline and slow down, so you can produce a professional and polished manuscript and become an author, not merely a writer.

NANCY L. BAUMANN is the owner of Stonebrook Enterprises, LLC, which operates under two distinct branches: Stonebrook Publishing and Stonebrook Studios.
 
Stonebrook Publishing is an independent press dedicated to publishing high-impact nonfiction works that will either save lives, change lives, or have a positive impact on society. We are “Publishing with a Purpose.” 

To learn about our Oct. 9 release, A LIFE IN PARTS, go to: www.ALifeinParts.com
 
Stonebrook Studios is the education, coaching, and contract-writing branch of Stonebrook Enterprises, and is home of “The Book Professor.” Nancy used her experience as a university professor and a professional publisher to develop a methodology that steps a writer through each phase of writing a book—from concept to cover—so they may produce a marketable manuscript that is what publishers want. Upon completion, the author may self-publish or seek an agent and professional publisher.
 

Websites:
StonebrookPublishing.net
TheBookProfessor.com
GetMyBookOut.com
ALifeinParts.com
StormingTheTulips.com


GET MY BOOK OUT! WRITING PROGRAM FOR AUTHORS

Personal Consultation
Writers in all stages of their projects come to me for help. Some are at the idea stage, and others have written quite a bit of their book, and some writers just want to kick around a few ideas for titles. 

How do you know where to start in the Get My Book Out! program? A personal consultation can help you identify where you are in the process, what your next steps should be, and which module of the Get My Book Out! program is right for you.
Personal Consultation: $250 Will be applied towards future modules if you purchase the program 

Module One: From Concept to Concrete Plan
At the conclusion of this 16-week course, you will have a comprehensive BookMap to follow that will
lead to a publishable manuscript. This course will guide you to:
• Clearly state what you are writing (what problem are you trying to solve?)
• Determine the purpose for writing it (what’s the solution to the problem?)
• Clearly identify what the book will accomplish and how (how does this solution solve the problem?)
• Pinpoint your primary and secondary markets (who will benefit?)
• Construct the book’s themes and sub-themes (what are the layers?)
• Determine why the market will accept your book (how are you different?)
• State the call to action for readers (what should the reader do?)
• Develop a masterful message for the book (what’s your marketing message?)
• Create a detailed BookMap that lays out the step-by-step process for writing a book that is what publishers want. (where’s the blueprint?)
• Develop a project budget
Module 1: Concept to Concrete Plan $1,500
Email: Nancy @TheBookProfessor.com

Module Two: Write Without Ruts
Now that you’ve constructed your BookMap, you will expand it in this course to develop a path-to-draft writing plan, using the push-play method of writing. Your writing plan will have accountability checkpoints to keep you pushing forward to produce the first draft of your manuscript. This 16-week course will guide you to:
• Identify research tasks
• Construct a path-to-draft writing plan
• Execute that plan with accountability controls
• Introduce crucial writing tools to organize your work
• Construct your manuscript in a timeless manner, so it will have a long shelf life
• Identify the weaknesses in your writing and shore them up
• Avoid the common barriers to good writing
• Produce a first draft of your manuscript
Module Two: Write Without Ruts $1,500

Module Three: Polish and Perfect
Now that you have a working draft of your book manuscript, it’s time to polish and perfect your writing. Editing your work is a crucial part of writing a book, and can feel even more tedious than producing the first draft. It’s also more important than producing the first draft. Don’t make the mistake that many self-published authors make. You must polish your manuscript!
This 16-week course will guide you to:
• Segment your manuscript for maximum editing potential
• Pinpoint the problem areas and learn how to strengthen them
• Intense concentration on grammar, verb use, passive vs. active language, and elements of writing style
• Punch up your language to give it more life
• Tear down weak areas for greater focus
• Scrub the work for inconsistencies
• Identify errors before the book goes to print
• Write effective chapter titles to maximize your marketing potential
• Find a killer book title that pulls in readers
• Create a cover that sells books
Module Three: Polish and Perfect $1,800
Monthly payment plan available!

The Book Professor services were designed by Nancy L. Baumann, university professor and owner of Stonebrook Publishing, in order to help more writers produce marketable manuscripts, which is what both authors and publishers want.

______________________ 
 
This is T.W. Fendley. Thanks for reading and commenting on The Writers' Lens.You can find out more about me at www.twfendley.com.

Monday, December 3, 2012

The Agony of Writing


The Agony of Defeat guy from ABC's Wide World of Sports
The Agony of Writing
By Brad R. Cook

 
Writing is the hardest business I know. We might not have to go to school for decades like doctors, or pass some test just to start writing like lawyers, but few careers tear apart a person emotionally as writing does.

First comes the stress. Trying to remember every rule the English teachers passed on, keeping track of all the little grammar rules, plot points, subplots and more. Heck, just trying to find the time is a challenge. I envy songwriters; they can finish in an afternoon or maybe a day or two, but a novel takes months, maybe years. Time spent stressing about everything from point of view, voice, pacing, to the question that dogs all of us - is it any good?

That doesn’t even begin to approach what it does to a writer’s brittle exterior. Writing a book is an emotionally taxing endeavor. It’s like baking a cake for a year or more never knowing if it will actually turn out the way you originally intended. (they rarely do.)

Beyond the book, there is even more stress, doubt, and unknowns. Will I get an agent? Do I need an agent? Will this manuscript ever see the light of day? Is it award-winning, a bestseller, and should I even keep writing if it’s not? These are just a few of the questions that spin endlessly through the mind of every writer I know.

That is the one thing on our side – we are all in the same boat suffering from the same addiction or disease – a need to write. Writers, seek each other out, we live such solitary existences in front of a computer that would much rather be on Facebook or Twitter. But put two or more writers in a room together and the electricity starts to flow. Take solace in the fact that we are going through the same emotional pain. Need advice, look to any of the masters, they went through it too.

Every rejected book brings questions. You know the book is good, but something, maybe even something beyond your control has stopped this book’s journey. It can be maddening, to rewrite or start anew?

But even an accepted book brings a mountain of stress. Is there enough promotion? Do I have to blog tour? Will anyone buy it? Will the rest of the series even see the light of day? Is this a good cover? If I don’t make the Times am I even a success?

To top it off, writing a great book is no guarantee of success. What is – no one knows.

The pain of realizing your first novel, with years poured into, will never make it to the shelf is followed by the acceptance of having to write another book. This can lead though to having written a couple of manuscripts and wondering if anything you write will ever make it to the printer. It’s a never-ending cycle until that one novel makes it, and then… come a whole new set of worries.

All of it, though, leads to the really big question - with people reading less comes the knowledge that we are in a waning industry with an uncertain future.

After reading this you might be rethinking your chosen career, but I’ll let you in on three little secrets – It’s hard, so that only the best make it. You are a better writer than you think. Your next book will always be better!

Sounds crazy but it’s true. The reasons agents and publishers are so picky is that they have to wade through thousands of horrid works created by anyone who, “had a great idea for a novel,” but not the dedication to learn the craft. Then hundreds of really good manuscripts that aren’t quite right for a menagerie of reasons. Finally, they find a diamond in the pile and that is the one that makes it. This ensures that our movies, video games, and culture are the best they can be. Many people might argue that last point, but just think about how bad it could be… Sparkling Zombies at war with Werebears… actually that doesn’t sound that bad…hmmm. *takes a break to jot down some notes*

You are better than you think you are – how do I know, because we are always hardest on ourselves, and we’re impossible to please. Writers are horrible bosses to themselves, critical to a fault and rarely sounding any praise. If you’ve spent time in workshops, webinars, critique groups, or any of the many opportunities out there, then you know what to do. It’s just a matter of putting everything you’ve learned into a single book.

The next book will always better – this is especially true for new writers. The first book is where you make all your mistakes, the second will still have some issues, but after that the quality starts to rise. Each new book benefits from the combined mistakes and experiences of the previous ones. The only real mistake is clinging to a novel and not moving on to write an even greater one.

Note: You should always Revise, Submit, and Repeat. But once you’ve exhausted your avenues, try writing a better novel. You’ll be surprised – it gets easier, it gets better, and it starts to sound like a real author wrote it.

We’re writers. None of us are alone. Thousands of people are going through the very same thing – just watch Twitter on any given day.

If you can learn to love rejection, disappointment, stress, anxiety, anticipation, and crushed egos it will help you on the road to publication – but we didn’t even cover what happens when the reviews come in… AHHHHHHHHHHHHHHH!

 
Let us know your horror story or crushing blow in the comments.

 

Brad R. Cook is a historical fantasy author and President of St. Louis Writers Guild. Please visit www.bradrcook.com or follow me on Twitter @bradrcook
St. Louis Reflections http://www.stlbooks.com/B009271-1211-51/Review.aspx

Friday, November 30, 2012

Could You Stop Writing?


Could You Stop Writing?
By Brad R. Cook

I’m serious, can you stop?

Before any big lottery, like the 550 Million Jackpot this week, everyone starts speculating, what would you do with all that money – it really is the best part of the lottery. First comes the obligatory, “I’m quitting my job.” That’s followed by the cars, boats, and antique books that we’d buy, (is that just me?) Then start the big dreams, putting colonies on the moon, buying an island, or finally building that castle I’ve always wanted.

But then I was asked if I would stop writing… I hadn’t thought of that. Sure with my new found wealth I could lie on an Ibiza beach or hang out in a Scottish pub for a few years. Life would be easy for awhile, but even I have to admit, after five minutes I’d be contemplating plot lines, characters, and looking around at how an Atlantian hit squad would assault that beach. That’s just who I am.

I’ve heard this challenge in workshops and from other writers. It’s like a sick taunt. “Go ahead and try to stop, you addict.” But worst, is that it’s true. First, the typing chills come, when your fingers start searching for the keys.  Then the errant plot bunnies scamper around your feet, and your mind starts creating conversations for everyone around you. If not satiated, the symptoms get worse – napkins will no longer be for wiping, but become the notepads for novel ideas that may never see the light of day. Then at its height…you start blogging. Say it isn’t so, give in to the addiction, and let the words flow… *exhales*

Writers write.
Painters paint,
Sculptors sculpt,
Programmers program,
And Baristas…make it all possible.
It’s who we are and we can’t deny it – or the words will stalk you.

By the way, if I had won, I would have paid off the big publishers to produce all my novels, and then paid people to buy them. I’d then finance the movie, toy lines, video games, and graphic novels. I’d be George Lucas, and then I’d sell it all and make even more money…maniacal laugh.

My challenge to you is this – don’t stop writing!
Never stop creating, never stop reaching, and never give up!

Find new ways of writing. It’s good practice for what you really want to write.
Try a script for a play or movie, craft a poem, pen a short story about what’s outside your window, whip up some fanfic, or just write a scene in a completely different genre.

One could call these writing exercises, but, it’s really about expanding your horizons, challenging your brain, and improving your craft.

I suppose my answer to the title question is no, I can’t stop. Words swirl in my head, along with character traits, woven plot lines, grammar rules, and scenes for future novels. We are storytellers, bards of the most creative degree, who twist language into art and toy with the emotions of the reader. We do this not out of some maniacal god-complex, but as a natural response to being creative.  Art is emotion, and words are art. If a picture is worth 1000 words, my books are worth 75 to 100 pictures.

Accept who you are, embrace the obsession, hoard all the words you can, and let the stories flow. We’re writers. To deny the words is to stop breathing or eating. It could possibly, or not really, cause of cancer, but don’t quote me on that.

As for the lottery – the odds might be against you but somebody always wins… until they lose it all a few years later.

Let us know in the comments what you would do if you were a super rich writer.

 

Looking for a last minute gift idea – consider one of these two books!

Zero Time by T.W. Fendley


St. Louis Reflections an Anthology by St. Louis Writers Guild in honor of its 90th Anniversary

 

Both are available through online retailers or off line at Left Bank Books in the Central West End.

 

 
 
 
 
 
 
Brad R. Cook is a historical fantasy author and President of St. Louis Writers Guild. Please visit www.bradrcook.com or follow me on Twitter @bradrcook