Monday, June 24, 2013

Exploring Mistakes Writers Make: Desire versus Starting

The first step to any journey is not the desire to take it, but to put one foot in front of the other and walk it. In all my years of writing, taking classes, and going to writers’ groups I run into this strange creature called a “wannabe.” In all honesty, sometimes I feel like I am in their same boat as I look at the “less than a hill of beans” that I have been able to accomplish. However, there is the difference. Wannabes have not started the journey.

I run into a lot of new writers. They come to a writing group, a lecture, a conference looking to learn the craft and the art. They have started the journey. They may dream about the fairy tale contract and being the next household named author. There isn’t any shame in wanting to be that successful. It is a task where you are either Heracles or Sisyphus. But, they are on the quest.

Wannabes never get started. Sometimes it is because they are afraid or they think they must have everything checked off on some clipboard someplace like an airline pilot must do a pre-flight check before take off. Maybe sometimes they don’t realize just how huge of a task writing a book, a collection of poetry, or a novel is. Science Fiction writer Ben Bova once described the preparation for writing of a novel as preparing to lay siege to a city.  Many wannabes don’t have any concept of what such work entails or they just see in their dreams that they can simply sit and let the words magically flow.  If such magic existed, is there someplace I can buy a bottle, container, or bag of it?

Writing is hard work. That hard work starts with a simple question: Do you want to be a writer or a wannabe? If you want to be a wannabe, that’s fine. You can stop now and live in your fantasies—there’s nothing more you need to do.

If you want to be a writer, then you have everything you need to START your journey. You have the desire to drive you and you have some idea of something you want to write. It doesn’t have to be any good. It doesn’t have to be the next best seller. Just write it. Write. Write. That is how all writers get started.

Yes, the dream you may have once had may fade and be replaced with the fact that you are doing it. You are walking the walk—the journey—the quest to be the author that is within you. There are no certain paths, but if you want certainty, you should never have started this quest.

Welcome to the quest and write!



Thank you for reading and please visit www.davidalanlucas.com and www.thewriterslens.com. You can also follow me on twitter @Owlkenpowriter and the Writer’s Lens @TheWritersLens. Fiction is the world where the philosopher is the most free in our society to explore the human condition as he chooses.

Saturday, June 22, 2013

From the Crime Writer’s Library: Mindhunter: Inside the FBI's Elite Serial Crime Unit

Previously in “From the Crime Writer’s Library,” we discussed Journey into Darkness by John Douglas and Mark Olshaker. Today, we are going to explore another book by the original FBI “Profiler.”  In my previous entry I raised the question of what are the effects of staring into the abyss of humanity. Mindhunter answers that question and more. Mindhunter is not only an exploration of profiling of some of the most dangerous killers in the modern age, but it is also the personal and professional journey of John Douglas and what his pioneering cost him—including almost his life.
Mindhunter explores Special Agent John Douglas’ twenty-five year career with the Investigative Support Unit. He pursued some of the most notorious and sadistic serial killers of our time:
* The killer who hunted prostitutes in Alaska;
* The Atlanta Child Murdered who almost set Georgia ablaze with race riots; and
* The Seattle's Green River killer—a case that almost cost Douglas his life.
Douglas was the model for Thomas Harris’ Jack Crawford in The Silence of the Lambs.  Douglas has confronted, interviewed, and studied scores of serial killers and assassins, including Charles Manson, Ted Bundy, and Ed Gein, who was the inspiration for Hitchcock’s movie Psycho and who dressed himself in his victims' peeled skin. By getting into the mind of both predator and prey, Douglas examines each crime scene, reliving both the killer's and the victim's actions, creating both sets of  profiles, describing their habits, and predicting their next moves based on the behavior of the killer.
If you are writing about serial killers or about any murderer, you will want to read and understand the work of John Douglas. You can learn more about him, follow his and Mark Olshaker’s work at this website: http://mindhuntersinc.com

Thank you for reading and please visit www.davidalanlucas.com and www.thewriterslens.com. You can also follow me on twitter @Owlkenpowriter and the Writer’s Lens @TheWritersLens. Fiction is the world where the philosopher is the most free in our society to explore the human condition as he chooses.



From the Crime Writer’s Library: Obsession: The FBI's Legendary Profiler Probes the Psyches of Killers, Rapists, and Stalkers and Their Victims and Tells How to Fight Back

Over the past few months, “From the Crime Writer’s Library” has focused on the work of John Douglas, the founder of and once head of the FBI's Investigative Support Unit. For a crime writing—be  it true crime or fictional crime—the works of John Douglas are a must read into the behavioral science and understanding of the dark side of humanity.

In Obsession: The FBI's Legendary Profiler Probes the Psyches of Killers, Rapists, and Stalkers and Their Victims and Tells How to Fight Back by John Douglas and Mark Olshaker, Douglas gives an unsugar coated account and profile of the crimes and case histories of serial killers, serial rapists, child molesters, stalkers and others. “Douglas shows how he and his colleagues can assess the different temperaments and motivations at work behind grisly acts. Rapists tend to fall into four basic categories, for example, the "power-reassurance rapist" (driven by feelings of inadequacy), the "exploitive" rapist (impulsive and overtly macho), the "anger" rapist (who uses sex to displace his rage) and, cruelest of all, the "sadistic" rapist, who "simply gets off on hurting people." What stands out in this eye-opening book is how Douglas's compassion for the survivors of violent crimes seems to equal his understanding of the criminals themselves. His description of the work of the countless people who counsel, comfort and fight for the rights of victims serves as a welcome reminder that horrific and isolated acts of darkness and coldness are counterbalanced by a warmhearted and, one hopes, more natural human determination to help.” (Publisher’s Weekly)

Douglas and Olshaker do even more as they also give in this book many resources for victims, also a valuable resource for writers of these crimes.  While we, crime writers, walk in the shadows of the darkness that investigators like John Douglas and Mark Safarik found themselves immersed in. Speaking for myself only, the writing of crime stories is not to glorify the crime but to tear it apart, understand it, and help society in general and the victims of the crimes face what has and is happening. Sometimes the only way to shed light on the horrific side of man is to walk into the scary places of his mind and soul.

The next edition of “From the Crime Writer’s Library” will go into another work on profiling. This work is the compellation of the unit Douglas started and provides the tools to dig deeper into crime.


Thank you for reading and please visit www.davidalanlucas.com and www.thewriterslens.com. You can also follow me on twitter @Owlkenpowriter and the Writer’s Lens @TheWritersLens. Fiction is the world where the philosopher is the most free in our society to explore the human condition as he chooses.

Tuesday, June 18, 2013

FREE! 6/22-6/24 in honor of HNS


By T.W. Fendley

Everything happens at once.
Three events I've been anticipating are all happening this week. Two are in Las Vegas--manifestation training offered by Dr. Joe Gallenberger, and the Applied Precognition Project conference. The third is in St. Petersburg, Fla.--the Historical Novel Society conference.
It was a hard decision, but with so many online friends to meet, I couldn't pass on Vegas!
In honor of the HNS conference, I'm offering the two prequels to ZERO TIME--my historical fantasy novel--for free on Kindle this weekend, ending Monday (June 22-24). I'm just sad I can't be in two places at one time (did I mention I'm a Steve Berry fan!).
JAGUAR HOPE, a novelette, tells of the ill-fated journey to Earth’s Age of Crystal. Two black jaguars become the symbol of hope for a race facing extinction when they accompany a dying traveler back to her home planet.
Four-year-old White Heron begins her journey as a master shaman when she arrives in Teotihuacan with her sister Quilla and Mama Couen. Her fledgling skills prove the only defense against a priest of the Lord of Darkness in THE MOTHER SERPENT’S DAUGHTER, a short story.

Wednesday, June 12, 2013

SLWG Author Series on The Writers' Lens Tumblr Page!

SLWG Author Series on the WL Tumblr Page!

On the third Thursday of every month, St. Louis Writers Guild holds its long-standing lecture series. In May, I interviewed L.S. Murphy author of Reaper and we discussed writing for young adults and her process for creating stories. You can see the interviews on the St. Louis Writers Guild website, and if you’re a member, you can participate online during the interview, but now you can see them on The Writers’ Lens Tumblr page!  

SLWG Author Series Interview with L.S. Murphy author of Reaper!

L. S. Murphy  
L.S. Murphy lives in the Greater St. Louis area where she watches Cardinals baseball, reads every book she can find, and weaves tales for teens and adults. When not doing all of the above, she tends to The Bean (aka her daughter), her husband and a menagerie of pets. “A Reason to Stay”, a contemporary romance novella, is available as of November 2, 2012. Reaper is her debut young adult novel and is available as of January 7th, 2013.
She is a co-rep for the Southern Illinois region of Society of Children’s Book Writers and Illustrators (SCBWI) and a member of the St. Louis Writer’s Guild.
Repped by Julia A. Weber of  J. A. Weber Literaturagentur.

To purchase Reaper by L. S. Murphy

L.S. Murphy
REAPER (J. Taylor Publishing)
A REASON TO STAY (Calliope - an imprint of Musa Publishing)








SLWG Author Series
Third Thursday of every month
7-8pm
NEW LOCATION:
All on the Same Page Bookstore
11052 Olive Blvd. Creve Coeur, MO 63141
Free and open to the public!

St. Louis Writers Guild has a new format for its long-standing Lecture Series. Like the webinars, the SLWG Author Series is now available online.

There are three ways to view the interview. 
1: Be part of the audience, the discussion continues even when the camera stops. 
2: Watch live online and ask questions via text chat or Twitter. 
3: Watch the recorded lecture after the event.

As a benefit of membership with St. Louis Writers Guild, an email will be sent with a link to the live online broadcast of the interview.

The next SLWG Author Series Event is Thursday, June 20, 2013!
For more information visit www.stlwritersguild.net 



Brad R. Cook is a historical fantasy author and President of St. Louis Writers Guild. Please visit www.bradrcook.com , follow me on Twitter @bradrcook  https://twitter.com/bradrcook , or my tumblr page Thoughts from Midnight http://bradrcook.tumblr.com/

Friday, June 7, 2013

What Books Made You A Writer?

What Books Made You A Writer?
By Brad R. Cook

Everyone has a top ten list of favorite books. For some it may only be a top three, but for writers and voracious readers, a top ten list of beloved books is a window into the soul. A glimpse at the weave of our universe. This isn’t a top ten list of the year, or even of my favorite novels – I don’t know if I could have only ten, maybe a top 100 – no, I’m talking about the books that inspired you to be a writer.

This post was inspired by an article on the Top Ten Science Fiction Books that people pretend they’ve read. I had read several, but it got me thinking about how books influence us. Some of the books mentioned were fundamental to me becoming a writer. What we read when we are young directly affects how we write, what we write, and is part of the source of our passion for writing.   

Here’s the article – how many have you read?

10 Science Fiction Novels You Pretend to Have Read (And Why You Should Actually Read Them) by Charlie Jane Anders for io9.com

Today what I am focused on are the books that moved you, help mold the person you are, and made you the writer you are today.

10 books… that molded my life and inspired me to write!

Lord of the Rings Trilogy by JRR Tolkien
            – Don’t even try to create elvish, it’s been done, but I will never forget when Eowyn rips off her helmet and says, “I am no man.” Best twist ever.








The Great Gatsby by F Scott Fitzgerald
            – Love language and slang. Give an English teacher something to talk about.










Dune by Frank Herbert
            – Epic is good, very epic is awesome!










The Three Musketeers by Alexandre Dumas

            – Good stories are timeless.










Encyclopedia Brown by Donald J. Sobol
            – My first Sherlock. Remember to slip in a few hidden clues.










The Dragonlance Chronicles by Margaret Weis and Tracy Hickman

            – Kenders teach us that Wanderlust is a good.










Their Eyes Were Watching God by Zora Neale Hursten
            – Books can move you, fundamentally changing who you are after reading them. Words can paint.









20,000 Leagues Under the Sea by Jules Verne

            – Steampunk has always been cool, and the best stories merge imagination and fact.









Le Morte D’Arthur by Sir Thomas Malory
            – Books are timeless, and some of the best fantasy was written over 500 years ago.









The Alchemist by Paulo Coelho

            – Follow your dreams.










I would be remiss if I didn’t include plays; it’s where I got my start.

Top 3 Plays or Musicals
Macbeth by William Shakespeare
            – Several could be here like, Hamlet, A Midsummer Night’s Dream, or the Tempest but Macbeth is my favorite.
Man of La Mancha (based on the book Don Quixote by Miguel de Cervantes Saavedra)
            – I think I like the musical better than the book… did I say that out loud?
Noises Off by Michael Frayn
            – Comedy comes in many forms, slapstick, one liners, and more.

And since we are talking about books that formed who we are today, here are a few blasts from my past.

Top 3 Kids Books
The Giant Jam Sandwich by John Vernon Lord
            – Think outside the box, or the sandwich as it were.
Chitty-Chitty Bang Bang by Ian Fleming
            – Bond, middle grade Bond.
The Choose Your Own Adventure Books
            – I would reread them out-of-order making up my own stories. They are probably directly responsible for me becoming a writer.

Think about the books that inspired you to write. Knowing where you come from and why you are standing where you are today can be invaluable in helping you move forward. Ten might be too much, so…

What three novels inspired you to be a writer?
List them in the comment section below.



Brad R. Cook is a historical fantasy author and President of St. Louis Writers Guild. Please visit www.bradrcook.com , follow me on Twitter @bradrcook  https://twitter.com/bradrcook , or my tumblr page Thoughts from Midnight http://bradrcook.tumblr.com/

Tuesday, June 4, 2013

Guest Blog: Medicine and Poison by Nate Butchli

The following post is written by a fellow writer whose fiction, in my opinion, captures the grit of life.  I will let his words speak for themselves.  Thank you Nate for sharing this.  To our readers, enjoy!

David Alan Lucas.



Medicine and Poison
By Nate Butchli


Watching the clock keeps me from doing my job.  I’m counting the minutes until I’ll be able to slip away and listen to the new song one of my favorite bands is releasing.  Until then, I’m scatterbrained and jumpy, devoting my impaired capacity for clear thought to devising an excuse for not having my shit together.

Two hours later, I’m a man free from captivity.  I find a quiet corner and listen.  My expectations were high, but they've been blown away.  The song ends, and I immediately replay it.  For fifteen minutes, I stand in the corner, cell phone in front of me, smiling like a maniac.  When it’s time to go back to work, I find it just as hard to concentrate.  The anticipation is gone, but it’s been replaced by an impulse to create something of my own.

Ultimately, this isn't about the song.  Or even the band.  It’s about the feeling that comes later, that only appears after a piece of art resonates inside you.  And it’s about how that feeling produces a balance difficult to maintain.


Hearing they have inspired creation is the highest praise artists can receive.  My reaction to my favorite works is always two-fold.  My perception of the world feels clearer, more focused, and I’m filled with the urge to produce that feeling in another person.

Al Burian says choosing to be an artist, as much as one chooses such a thing, carries with it certain responsibilities.  He contrasts the artist with the ambulance driver, a vocational choice so inherently altruistic it doesn’t need an explanation.  The point is if we’re going to be artists, our work must mean something.  If it doesn’t, wouldn’t the world be better off if we drove ambulances?

This is all well and good.  Being creative brings with it certain expectations, but the best art should inspire us to willingly shoulder them.  We should yearn to carry on the legacy of what inspires us.  This can produce a great deal of pressure, though.  Every time I compare my work to those that inspire me, I find it lacking.  I never feel like I’ve lived up to what’s been given to me.

Managed correctly, this type of thinking can be beneficial.  It keeps ego in check.  The sheer quantity of great art in the world should be enough to genuinely humble anyone.  But like everything, the key is dosage.  Failing to limit this type of thinking can cripple faith in one’s work.  In the worst circumstances (read: mine), it can create feelings of inadequacy so strong creation stops altogether.

Hemingway famously said that writing is easy, that it only takes a willingness to sit at a typewriter and bleed.  Author Kyle Beachy has pondered what it means when the creator believes the blood before him is inauthentic.  Worse still, he asks, what happens when the writer recognizes his own blood, but knows it’s awful?  The questions are rhetorical but aim to illustrate that the process is neither easy nor fun, at least most of the time. 

Answers to these questions lie in a metaphor borrowed from one of Beachy’s other passions, skateboarding. Injuries to skaters are most common, he says, when they doubt their ability to do a trick.  They begin, and their brains scream danger.  Focus wanes, and the risk of falling grows.  The only way to make it work is to stop thinking and forge ahead.

In the end, Hemingway is partially right.  If we’re going to make art of value, we must sit and bleed.  It’s this honesty and the ensuing feeling of community that I appreciate in what others do.  But lessons, too, can be gleaned from the skaters, with their ability to silence doubt and face risk with reckless abandon.  Understand, though, injury does not cease in the absence of fear.  Skaters fall.  Scars are earned.  Our blood will sometimes seem insufficient.  See, Hemingway was wrong about the process.  It won’t be easy, but what is the alternative?  Pulling up short and never trying?

The love and gratitude I have for what inspires me is immense.  It has fundamentally changed me and my life.  But this appreciation is paralyzing my ability to contribute to the conversation.  The only way my work will live up to my expectations is to let go of them.


This, then, is giving up the chase.