People who are trained to fight –cops, military, martial
artist, etc—tend to think differently from most people. I find myself often
blinking in amazement at the statements of the untrained or in amazement when
they don’t realize something that I saw in less time than one of those blinks.
This could sound arrogant, but in truth it comes from the surprise that I have
to remind myself of the training and experience I have had is a lot different
than they have had. Maybe this is why I enjoy writing about writing fight
scenes, for it is my way to share and explore with others this train of
thought. Most of the blogs (here or on my old Coffee with David blog site that
you can find on my webpage below) contain not only information about writing a
fight scene but also elements of self-defense.
This posting is no different.
Think about your character. What clothing do they wear in
whatever scene you writing? Do they need a gun or a knife to defend them or are
they armed without it. Despite what people generally think, and despite
restrictions on weapons that various Government agencies might impose—like for
travel or whatever—unless your character (or you) are naked (no jewelry even),
you are never unarmed. Before we go down the road of explaining further, let’s
redefine the word “weapon.”
But, before we do that, let us dig a little bit into
history. In history, there are often many examples of cultures that have
disarmed the masses and restricted arms to certain people. The result of this
was that the masses redefined what could be a weapon. Two great examples of
this were the cultures of Scotland and Japan:
1. Scotland had been invaded by the English. The English
took away (or attempted to) all their swords and other known weapons. So, the
Scottish resorted to using stones, long heavy logs, and long poles. From this
came the weapons of the caber and the long pike;
2. Japan is perhaps the best example as the weapons that
were developed were more prolific. Laws were past to restrict weapons,
particularly the sword (or Katana) to the Samurai class. The peasants were
limited or not allowed weapons at all. So, what did they do? They took farming
and other tools and reworked them to be weapons. Some are even used by modern
police today (the tonfa is the basic design that certain modern police sticks
are based on). Here is a short list of the weapons that Japanese created based
on how they re-defined the word weapon, feel free to explore other sources for
more information:
a. Tonfa
b. Sai
c. Jutte
d. Three Piece Staff
e. Rice Paddle (This actually may have been used first as a
weapon in China)
f. Mitsubishi. (no , not the car)
Let us now redefine the word “weapon”. A weapon is anything
that can be used for one of three things:
attack, defend, or distract.
Please go look in the mirror, look around your surrounding s for a
moment and come back. Don’t worry, I’ll wait.
What are you wearing? Do you have shoes? Do you have a belt?
Do have rings on? What about a watch? Or a necklace? What about a shirt or a
blouse? Are you eating anything? Maybe a stick of gum? Do you have a pen or a
pencil in your hand? Do you smoke? Do
you have salt and pepper nearby? Sand? Do you have a wash rag or a towel? How
can any of these be a weapon?
Let’s start with clothing, going from your feet to your
head:
1. Shoes. There are
many reasons I am glad I am a guy and not a woman, shoes for the purposes of
wearing them is one of the reasons. But when it comes to using them as a
weapon—heels are something to be jealous of—in fact at the time this is being
written, a woman in Texas used her high heel shoe to kill her “abusive” partner
(I forget if it was husband or boyfriend). Regardless of the kind of shoe you
have, you are wearing clubs. Yes, you read that correctly. You are wearing
clubs. What are clubs? As a weapon they are objects that you can use to apply
blunt force trauma to an opponent with. Take off your shoes, pick them (or one
of them up) and you have a club to use against an attacker. What kind of shoes
is your character wearing? What kind of thumping could they do to their
opponent?
Another thing about shoes is they make great distractions and buy you or
your character time to run (assuming you are not on a surface that makes
running barefooted painful). Just toss it in the attacker’s face. Aim for the
eyes! (Throwing it at their chest or anywhere else is not too effective.) They
will have to dodge it or (if you are lucky) let themselves be hit with it. Either
way, it will give you a head start.
2. It is unlikely that you would want to take off your pants
or skirt, but they can be used in the same way as the shirt or blouse which we
will discuss in number 4.
3. Are you wearing a belt? If so, you have a whip. You can
use this whip in any of two ways. If you want to hold onto the buckle, it may
give you (or your character) a good hand hold. Or you can use the belt’s
“tongue” and apply the buckle to the body of the opponent. Ouch!
You can also take the belt and wrap it around your knuckles.
It won’t be like brass knuckles, but it will add something to your punch.
Finally, you can take the belt and use it as a garrote.
4. If you are wearing a shirt, blouse, pants or skirt, you
have another whip. No it won’t hurt like the belt. It is a softer whip that can
be used to catch the other person or their weapon and end up entangling them.
Note, you can also make a rat’s tail out of it quickly if you have the right
material. Also, this can be used as a
garrote.
Shirts, etc. are also weapons of distraction. You can toss
it in the opponent’s eyes (I don’t care how much it costs, your life is more
important) as you run or attack with something else. If it is at their eyes,
they can’t see for a moment. You can
also entangle their head in it. There is an old adage in martial arts and
war—if they can’t see, they can’t fight.
5. Now let’s go with rings. I don’t tend to wear any, but
should you or your character have any on, then you have (at least partial)
brass knuckles.
6. What about a necklace? Then you or your characters have a
small whip and another garrote.
7. Do you have change in your pocket? You have a weapon of
distraction. Toss the coins in their eyes.
What is in your surroundings?
1. A moment ago I asked if you had salt and pepper. Sounds
screwy, right? Excuse the evil laugh, but you have one of the best non-lethal
home defense systems. Add cayenne pepper and it makes a fiery mix. You can also
add sand, ground glass, or ash.
How do you hide a mountain? Answer: By putting sand in the
eyes of those looking for it.
Remember what I wrote above about not being able to see. The
same is true about not being able to breathe. Here’s how it works. Dump some salt and pepper (and any of the
other ingredients) into your hand. The pepper is critical. You can either toss
it or blow it into the face of the opponent.
You are really aiming for the nose and the eyes. Even if they have
glasses on, the nose is good enough and will take care of the eyes.
When you toss or blow the contents at them, surprise will
kick in. What do people do when they are surprised? How do you describe
surprise in your writing without saying Johnny was surprised? People react with
a sharp inhaled breathe and wide eyes. The pepper (and the cayenne pepper to a
degree) will irritate the nose and they will sneeze—a lot. Do you know anyone
who can sneeze with their eyes open? It’s very hard to do. When people sneeze, their
eyes water. The salt (and here comes the fun of the cayenne pepper should you
have used it) will enter the eyes and mix with the water. While they are sneezing and rubbing their
eyes, they are temporarily blinded and have difficulties breathing that you or
your character can take advantage of.
Note: If you add ash, sand, and/or ground glass, the
opponent will do damage to their eyes when they rub them.
2. Is there a fire extinguisher? Just use your imagination.
3. Do you have a drink (hot or cold)? Throw it in their
face. What is a person’s reaction when you do that? How have you described it
in your writing? It’s a nice weapon of distraction.
4. What about gum? Yes, it is a weapon—of distraction. You
can throw it at their face or lob it into the air in front of them. Their eyes
will follow it. There is some kind of evolutionary response in us that watches
with a certain grotesque fasciation
things that come out of people’s mouths to be sure the object doesn’t
touch us. (Not to mention the question that has to go through the opponent’s
mind of “what are you doing with that gum?”)
The distraction works for a short time for you to run or attack with
something else.
5. Do you smoke? Don’t blow smoke in the opponent’s face. Second
hand smoke doesn’t do much right away. Instead, blow the burning leaves into
their face. Also, you can burn other places. Very few people like to be burned
at all—even the ones who like pain.
6. I asked if you have a pen or pencil. A few years ago, I
(with a fellow Black Belt) gave a self-defense and Writing the Fight Scene
lecture where we demonstrated that the pen or pencil can be mightier than the
sword. If you place it in your hand right, it can be driven into the opponent
and used to just stab them or even kill them (depending on where you strike).
This topic and the use of examples can go on for pages. I
hope that you can look at weapons in a different light, realize that you and
your character are never unarmed (even if your character doesn’t realize it)
and are able to build some uniqueness into any fight scenes than just using the
normal knife, gun, broken bottle, baseball bat, or chair.
Finally, I will leave you with a challenge. This is the same
challenge I gave to a former martial arts pupil of mine when we discussed the
topic of how anything can be used as a weapon. If you think there is something
that can’t be used as a weapon, put it in the comments below—give me a reason
why you think so. I will respond. Who knows, maybe there is something that
can’t be. But I don’t know what.
Thank you for reading and please visit
www.davidalanlucas.com and www.thewriterslens.com. You can also follow me on
twitter @Owlkenpowriter and the Writer’s Lens @TheWritersLens. Fiction is the
world where the philosopher is the most free in our society to explore the
human condition as he chooses.
