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Showing posts with label book signing. Show all posts
Showing posts with label book signing. Show all posts
Thursday, March 20, 2014
Friday, November 9, 2012
Holiday Book Fair at Left Bank Books - This Weekend!
St. Louis Literary Consortium
Holiday
Book Fair
at Left
Bank Books
November 9-11, 2012
Left Bank Books – Central West End
399 N. Euclid, St. Louis, MO
63108
The newly organized Saint Louis Literary
Consortium is pleased to announce their first joint event to be held in
conjunction with Left Bank Books. The event will host publishers and featured
authors on the weekend of November 9, 10, and 11 at Left Bank Books’ Central
West End location, 399 North Euclid Ave, 63108. While books from each of the organizations
will be available the full three days, featured authors will be present for
signings at various times throughout the weekend. (Store hours are: Friday and
Saturday – 10:00 am to 10:00 pm; Sunday – 11:00 am to 6:00 pm.) A list of
featured books and scheduled authors will be posted on
member websites before the event.
“Saint Louis has a long and rich literary
history, and this event is a way to celebrate continuing that tradition of
excellence. We’re delighted that Left Bank Books is hosting us and giving us
the opportunity to showcase local publishers and authors just in time for the
holiday shopping season,” said Winnie Sullivan, Executive Director of
PenUltimate Press. “For readers who love small presses and who want to support
local authors—and local booksellers—this will be a great weekend.”
“This is just the first event that our new
group has in the works as we come together as publishers and organizations to
promote the literary arts in the Greater Saint Louis area,” Nancy Hughes of the
St. Louis Poetry Center said. Along with the St. Louis Poetry Center and the
St. Louis Writers Guild, participating organizations include Blank Slate Press,
PenUltimate Press, Stonebrook Publishing, and Walrus Publishing.
Organization website addresses are: www.blankslatepress.com, http://www.penpressinc.org/, http://www.stlouispoetrycenter.org/, http://www.stlwritersguild.org/ http://www.stonebrookpublishing.net/, http://www.walruspublishing.com/.
This holiday season give the gift with a
St. Louis touch, support your local authors!
Over 40
Participating Authors!
Several
of whom have been featured on The Writers’ Lens.
Qiu Xiaolong *
Mary Ellen Havard*
Tullia Hamilton *
Catherine Rankovic
Matt Freeman *
Curtis Comer *
Angie Fox
TW Fendley
Cole Gibsen *
Brad R. Cook *
Peter Green *
Linda Austin
Claire Applewhite *
Leigh Savage *
Leigh Savage *
Brenda Neubauer *
Liz Maloney *
Faye Adams *
Bill Adams*
Pat Bubash *
Bruce Lucas *
Robin Tidwell*
Steve Weigenstein*
Jean Ellen Whatley *
Hannie J. Voyles
Vicki Bennington *
Vicki Bennington *
Daniel Brannan *
Loretta Goebel *
Kelli Allen *
Wanita Zumbrunnen*
Denise McCormick
Baich*
Steven Schroeder*
Mary Ruth Donnelly*
Jennifer
Fandel
Susan
Grigsby
Niki
Nymark *
John
S. Tieman
Marjorie
Stelmach
Glendall
Wallace
Drucilla
Wall
Eamonn
Wall
*
indicates the author is having a book signing
Holiday
Book Fair Schedule
Friday, November 9, 2012
2pm to
4pm
Brenda Neubauer
Wanita Zumbrunnen
4pm to
6pm
Robin Tidwell
Bruce Lucas
6pm to
8pm
Jean Ellen Whatley
Leigh Savage
Denise McCormick Baich
7pm to
8pm
Mary Ellen Havard
Saturday, November 10, 2012
10am to
Noon
Matt Freeman and Curtis Comer
Marcel Toussaint
Cole Gibsen
12pm to
2pm
Vicki Bennington
Daniel
Brannan
Loretta
Goebel
Steve
Weigenstein
1pm to 3pm
Qui
Xiaolong
2pm to 4pm
Claire
Applewhite
Steven
Schroeder
Niki
Nymark
4pm to 6pm
Peter
Green
Pat
Bubash
Sunday, November 11, 2012
11am to
1pm
Brad R. Cook
Mary Ruth Donnelly
1pm to
3pm
Faye & Billy Adams
Liz Moloney
3pm to
4pm
Mary Ellen Havard
3pm to
5pm
Tullia Hamilton
Kelli Allen
See you at Left Bank Books!
Brad R. Cook is a historical fantasy
author and President of St. Louis Writers Guild. Please visit www.bradrcook.com or follow me on Twitter @bradrcook
To learn more about St. Louis Writers
Guild, visit www.stlwritersguild.org Saint Louis Writers Guild on Facebook
or on Twitter @stlwritersguild
Wednesday, April 25, 2012
Writing: The roller coaster effect
Writing is a roller coaster ride. If I ever questioned that, this
weekend dispelled any doubts when I attended the Missouri Writers' Guild
(MWG) conference. During 24 hours, I experienced the peaks and valleys
of the ride as I went from a book signing to slushpile readings to
nightcap meetings to pitch sessions.
As I quickly learned after
my debut book ZERO TIME came out last October, book signings can leave you thrilled from
lots of sales or chilled from thinking no one wants your book. To get a
thrill from signing when you don't sell much, it helps to have your
expectations in alignment. For me, selling two books was an unexpected
pleasure at a
writers' conference where everyone is hawking their own books. It
added to the fun of having "arrived" at the point in my career of
actually having a book to sell. I also enjoyed getting to chat with
others and learning more about their work. (I celebrated by treating myself to a couple of books.)
In the slushpile readings, MWG president Deb Marshall read from the first page of works attendees submitted to a panel of agents and editors (and an audience of conference goers). The agents/editors were asked to explain how they would react if the story appeared in their slushpile. Each raised her hand at the point she would've quit reading. When a majority had "quit," they discussed why. A similar scenario occurred in one of the breakout sessions with emedia and writing guru Jane Friedman, where I got feedback on the first page of my YA fantasy's (soon-to-be-gone) prologue. Only a few of the submissions in either of these readings made it very far, and mine didn't get past the first sentence. (Sigh.) My roller coaster went into a big dip.
Why? In my case, I tried to provide too much information too soon, and strange names made it even more confusing: "The Elders' warning echoed in One Reed's mind as the girl entered the museum's Music Room: Respect your body's wisdom."
Some other common problems with first pages included: over explaining, too much detail, interior monologue, flashbacks, a crisis without a unique hook, dialogue without context, info dump, character dump (have less than four), back story, and too many adverbs/adjectives.
The first night ended with a nightcap session--you could visit informally with the presenters, who held court in casual groupings in the hotel's hallways and lounges. Many had only one or two people in their group, but Curtis Brown agent Sarah LaPolla's query critique group blocked the hallway near the front desk. I only attended part of that crowded session, but saw the writers' reactions run the gamut. Some had peaks--afterward, one of the participants said his query got the agent's interest and set him up for a successful pitch session the next day--but many had dips.
The question is, what do you do with those dips? I think another of the conference attendees has the right idea. In a post-conference Facebook post, he said: "...a huge thank you to one person for a carrot and another for the swift kick in my A$$ that I needed right now." I find that sometimes we need to get kicked out of our comfort zones if we're going to move forward. After all, one definition of insanity is doing the same thing over and over and expecting different results.
On Saturday, the agents and editors spent a grueling day with pitch sessions timed seven minutes apart. As writers lined up outside the pitch room, waiting our turn, we got a running report from those who went before us. Many looked shell-shocked as they came out--some from actually getting a request and others from getting a rejection. Luckily, I had pitch sessions with two agents, and experienced both the valley of rejection and the peak of gaining an agent's interest.
I pitched my YA fantasy novel, which the first agent believed had too much adult involvement. She didn't want a few chapters or even a query--she was simply not interested. After a couple of hours, I finally "heard" what she said. It took me that long to get over the disappointment and realize that I'd pitched it wrong. By trying to condense the language and make it catchy, I'd started with the words "a family vacation" instead of "a 16-year-old girl on a family vacation." Although I tried to explain to explain to her that my teenage protagonist is central to everything that happens, I couldn't overcome that first impression. I switched the emphasis on the second pitch. Perhaps that's what made the difference or it could just be that my story was a better fit for her, but that agent requested the full manuscript. I was at the peak on the roller coaster, waving my hands in the air!
I'd love to hear your experiences on the writing roller coaster! Your comments will also enter you in this week's giveaway contest for an ebook of D.A. Bale's RUNNING INTO THE DARKNESS..
If you'd like to learn more about the MWG conference, check out the Guild's 2012 MWG Conference Notes and Linda Austin's report in the Examiner. Check back here on The Writers' Lens for podcasts and webchats with some of the presenters.
Thank you for reading and please visit me at www.twfendley.com. You can also follow me on Twitter @twfendley.
![]() |
| At MWG conference book signing |
In the slushpile readings, MWG president Deb Marshall read from the first page of works attendees submitted to a panel of agents and editors (and an audience of conference goers). The agents/editors were asked to explain how they would react if the story appeared in their slushpile. Each raised her hand at the point she would've quit reading. When a majority had "quit," they discussed why. A similar scenario occurred in one of the breakout sessions with emedia and writing guru Jane Friedman, where I got feedback on the first page of my YA fantasy's (soon-to-be-gone) prologue. Only a few of the submissions in either of these readings made it very far, and mine didn't get past the first sentence. (Sigh.) My roller coaster went into a big dip.
Why? In my case, I tried to provide too much information too soon, and strange names made it even more confusing: "The Elders' warning echoed in One Reed's mind as the girl entered the museum's Music Room: Respect your body's wisdom."
Some other common problems with first pages included: over explaining, too much detail, interior monologue, flashbacks, a crisis without a unique hook, dialogue without context, info dump, character dump (have less than four), back story, and too many adverbs/adjectives.
The first night ended with a nightcap session--you could visit informally with the presenters, who held court in casual groupings in the hotel's hallways and lounges. Many had only one or two people in their group, but Curtis Brown agent Sarah LaPolla's query critique group blocked the hallway near the front desk. I only attended part of that crowded session, but saw the writers' reactions run the gamut. Some had peaks--afterward, one of the participants said his query got the agent's interest and set him up for a successful pitch session the next day--but many had dips.
The question is, what do you do with those dips? I think another of the conference attendees has the right idea. In a post-conference Facebook post, he said: "...a huge thank you to one person for a carrot and another for the swift kick in my A$$ that I needed right now." I find that sometimes we need to get kicked out of our comfort zones if we're going to move forward. After all, one definition of insanity is doing the same thing over and over and expecting different results.
On Saturday, the agents and editors spent a grueling day with pitch sessions timed seven minutes apart. As writers lined up outside the pitch room, waiting our turn, we got a running report from those who went before us. Many looked shell-shocked as they came out--some from actually getting a request and others from getting a rejection. Luckily, I had pitch sessions with two agents, and experienced both the valley of rejection and the peak of gaining an agent's interest.
I pitched my YA fantasy novel, which the first agent believed had too much adult involvement. She didn't want a few chapters or even a query--she was simply not interested. After a couple of hours, I finally "heard" what she said. It took me that long to get over the disappointment and realize that I'd pitched it wrong. By trying to condense the language and make it catchy, I'd started with the words "a family vacation" instead of "a 16-year-old girl on a family vacation." Although I tried to explain to explain to her that my teenage protagonist is central to everything that happens, I couldn't overcome that first impression. I switched the emphasis on the second pitch. Perhaps that's what made the difference or it could just be that my story was a better fit for her, but that agent requested the full manuscript. I was at the peak on the roller coaster, waving my hands in the air!
I'd love to hear your experiences on the writing roller coaster! Your comments will also enter you in this week's giveaway contest for an ebook of D.A. Bale's RUNNING INTO THE DARKNESS..
If you'd like to learn more about the MWG conference, check out the Guild's 2012 MWG Conference Notes and Linda Austin's report in the Examiner. Check back here on The Writers' Lens for podcasts and webchats with some of the presenters.
Thank you for reading and please visit me at www.twfendley.com. You can also follow me on Twitter @twfendley.
Thursday, March 22, 2012
Meet writer Amanda Doyle 3/24 at 6 North
Finally, a locally produced GUIDEBOOK TO ST. LOUIS!
Amanda is an ardent St. Louis supporter and resident with more than a decade of experience in promoting the city to visitors. She lives with her family in Tower Grove Heights, and regularly plots her alternate lives in cool neighborhoods around the area.
You'll find a unique take on the elements that make many of the pockets of this metropolitan area such an appealing one in which to live. Neighborhoods and municipalities are grouped in ways that may be a bit different than you're used to seeing, in the hope of reflecting how we actually talk about them.
Have fun, and viva St. Louis!
Books will be available for purchase at 6 North on March 24th.
On line: http://stlguidebook.com/buy-it/
Meet with author Amanda E. Doyle from 10 a.m. to noon, Saturday, March 24, at:
6 North Café
14438 Clayton Road
Ballwin, MO 63011
Amanda is an ardent St. Louis supporter and resident with more than a decade of experience in promoting the city to visitors. She lives with her family in Tower Grove Heights, and regularly plots her alternate lives in cool neighborhoods around the area.
"This book is a love letter to St. Louis, one I’ve been working on now for more than a decade."
You'll find a unique take on the elements that make many of the pockets of this metropolitan area such an appealing one in which to live. Neighborhoods and municipalities are grouped in ways that may be a bit different than you're used to seeing, in the hope of reflecting how we actually talk about them.
Have fun, and viva St. Louis!
Books will be available for purchase at 6 North on March 24th.
On line: http://stlguidebook.com/buy-it/
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