Tuesday, March 10, 2015

Will Macmillan Jones: Researches comic fantasy series in pubs with loud music


Welcome to Will Macmillan Jones, who lives in Wales, which he describes as "a lovely green, verdant land with a rich cultural heritage." He does his best to support this heritage by drinking the local beer and shouting loud encouragement whenever International Rugby is on the TV. A fifty-something lover of blues, rock and jazz, he has just fulfilled a lifetime ambition by filling an entire wall of his home office with (full) bookcases. When not writing, he is usually lost with the help of a satnav on top of a large hill in the middle of nowhere.

His major comic fantasy series, released by Red Kite Publishing, can be found at:
www.thebannedunderground.com and information on his other work and stuff in general at :

There’s a blog.  There’s always a blog, isn’t there?
www.willmacmillanjones.wordpress.com

What is your favorite way to interact with readers? Well, I have to say that this can change, and recently, for me, it has. I used to enjoy swapping jokes on Facebook, but ever since this summer I’ve been introduced to a new way: and I adore it. In fact I would really recommend it to every writer, I love it so much: I’ve found some groups that run what are called ‘Open Mic’ evenings.  Here, armed with just a microphone, the author stands before a group of writers, readers, and sometimes random members of the public and reads some of their work aloud.

I’ve sort of extended that by working some of my material into an unusually cohesive format and done some stand-up with the gags I write, and that is a fantastic experience.  It also provides great feedback on the quality of the material you are writing: if you can hold an audience for five minutes reading your work, then you know you have something worth offering.

What tune would be the theme song for the series? That isn’t an easy question to answer.  You see, I write about a rock n roll band made up of blues loving dwarfs, and led by a saxophone-playing troll with a jazz fixation. I also love a lot of rock, so I would without doubt choose ‘Rock N Roll’ by Led Zeppelin. However, my characters would all choose something else, and in order to avoid too much trouble with awkward bunch (whose co operation I will need desperately when I’m working on the next installment in the collection) I may well need to seek a compromise.

Now a number of jazz standards might do, but the vocalist for the band (what’s the difference between a terrorist and the lead singer in a band? You can negotiate with the terrorist) would object.  So in the end, we might well have to just agree on what many musicians agree is the greatest rock n roll song written: Johnny B Good.

How much fact is in your fiction? You do know that I’m a fantasy writer, right? Actually, the fact of the matter is that I am congenitally bone idle, so I cannot be bothered to make up too much stuff.  So my fantasy world is actually just a small addition to our own real world, and the books are actually set in Wales and Northern England, stopping off at some of my own favourite places. The characters, even if they are dwarves, witches, trolls and wizards are, perhaps, people that you might meet on the real streets. Or that you might meet if you were to hang around in the sort of places that I have been known to frequent. There is, of course, an upside to this: I get to do my research for these books by hanging about in pubs and bars whilst listening to loud music and indulging in the odd beer. Or two. It has to be admitted that fantasy writers get the best gigs!


The best link may well be my websites:   



or an amazon author page?




THE AMULET OF KINGS -- The first volume in The Banned Underground collection of stories that can be read in any order, or disorder.  Perhaps disorder, for when two suburban teenagers arrive for an enforced holiday at their aunt’s cottage, they find a lot more going on than they expected.


Most of the local Wizards and Witches are all on holiday – sorry, that’s the Annual Joint Professional Conference of course – in the South of France. It’s a perfect opportunity for the local Dark Lord (who has been left behind) to summon up some goblins and try to invade the underground Mansion of the Dwarves.

Can the teenagers help their new friend the King of the Dwarves save his kingdom?  The Dark Lord has his goblins and his minions; the teenagers have a luminous green, jazz-loving bog troll and his rhythm-and-blues band – and an amazing collection of jokes, one-liners, and awfully bad puns, as this new fantasy series gets off to a crackling start.

THE MYSTIC ACCOUNTANTS -- The Mystic Accountants is the second outing for the dwarf rhythm-and-blues band and their jazz-loving, saxophone-playing bog troll leader.  They are about to acquire a new band member too, but quite by accident.  After all, they hadn’t planned to demolish the mystical Throne of the Dwarf King under the Mountain during one of their gigs, had they?  But the choice of punishment was easy: get locked up or go on a more-or-less paid-for quest to find another Throne.

The Quest takes them across Wales, unexpectedly by way of various pubs and a beer festival, until they find … well, that would be telling, wouldn’t it?  And the Quest isn’t going to be as easy as it sounds either. The Dark Lord wants to intercept the Throne for purposes of his own, and his minions are in hot pursuit, until they run into a conspiracy to take over the nation of Wales by some Mad Monks.

Will the King of the Dwarves sit on a Throne again?  Will the Dark Lord triumph? And will the Mad Monks gain control of the country? (They couldn’t do a worse job than the politicians, I suppose.) Find out in this fast-moving, wisecracking, pun-filled satire on fantasy adventure quests.

THE VAMPIRE MECHANIC -- The third stand-alone volume in The Banned Underground fantasy collection finds our friends – the dwarf rhythm-and-blues band known as The Banned Underground – in trouble again. For once, they can claim that it wasn’t their fault.  After all, they didn’t suggest Santa’s Little Helpers should borrow The Sleigh to get to their gig whilst Santa is on his summer cruise, did they?  And they certainly didn’t crash The Sleigh into a mountain in Wales on the way, did they? 

But they can’t let their friends down, so the Banned are on hand to help get The Sleigh repaired—by the only remaining mechanic who has a workshop manual.  After all, Vampires don’t throw things like that away.


However, The Sleigh has triggered computer alerts around the world, and one such alert was on the Dark Lord’s computer.  As his Mercedes has seen better days, the Dark Lord sends out his minions with orders to recover The Sleigh to be his new personal transport.

Warlocks, Druids, Vampires and Witches (and the occasional accidental frog) combine in a laugh-a-minute roller coaster as the Banned struggle to save their friends from the wrath of Santa. 

BASS INSTINCT -- Bass Instinct is the fourth book in The Banned Underground collection of comic fantasy books.  Each is a stand-alone novel, needing no previous acquaintance with the characters.

The Banned Underground are a dwarf rhythm-and-blues band, led by a luminous green, saxophone playing bog troll with a passion for mushrooms, beer and pizza … and more beer … and for playing jazz, blues and rock ‘n’ roll, of course.  The latest addition to the group is a bright red Welsh dragon that plays bass guitar.  But he’s in trouble.

Dai the Drinking Dragon has been kidnapped by the Dark Lord for nefarious purposes, and by the Dark Lord’s dragon receptionist for even less reputable reasons. Without their bass player, the Banned Underground are now in deep trouble with their record label. They have to produce a set of recordings for an album, and someone has stolen the tapes from the last gig. Can they make some more recordings, or will Freya, the renegade dwarf bass player hired by the Dark Lord, distract the boys whilst the Dark Lord's evil schemes come to fruition?

The Dark Lord has found some thugs to help him in his latest plan to invade the underground Dwarf Mansion he would like to own (as an alternative to his garden shed as a place to hide from his wife), but they have other things on their minds - like looting and pillaging the locals - and it's all going wrong for him again.

Described on The Guardian newspaper’s book review pages as ‘Lord of The Rings as written by stand-up comic Milton Jones to the soundtrack of Led Zeppelin IV’, The Banned Underground series is an underground hit, full of both crackling one-liners and more subtle jokes.

THE SATNAV OF DOOM -- The SatNav of Doom, the fifth in the Banned Underground fantasy collection is now released.  This is a stand-alone work; previous experience is not required.

Something always seems to happen when the Banned Underground, a dwarf rhythm-and-blues band led by a jazz-loving bog troll, are playing.  Sadly for them, it is rarely anything good – for them at least.  The rest of us always seem to get a good laugh at their predicament.  But their world contains more than just pubs and pizza places. There is a Dark Side to some of the people they know: and to one in particular, of course: the Dark Lord of Keswick.

Once again, the Dark Lord has a cunning plan. And once again someone else is going to have to carry it out for him: that's what henchmen are for, isn't it? To hench? Oh, and to be sent on the risky missions …

Not that this mission should be risky. What could be easier than secretly inserting computer spyware into a laptop, using a Banned Underground gig as a diversion? The Tax Office probably does it all the time. But the Tax Office is not normally being chased for an unpaid credit card bill for a huge round of drinks. (That's our politicians. And the Dark Lord’s henchmen, of course.)

And it isn't just any laptop the Dark Lord wants to spy on either. The Government is struggling to find the way out of the Recession without a road map, and what better aid than a SatNav linked to an economic forecasting computer? If the Dark Lord can get inside information on future economic policy, maybe he can clean up and buy a new Mercedes at last.

Then there is a mystery: where did the time-travelling SatNav come from in the first place? What if the original owner wants it back?

Magic, mayhem and macro-economic policy collide in the latest surreal instalment of the acclaimed comic fantasy collection, The Banned Underground.

HAVE FROG, WILL TRAVEL -- More speculative fiction from The Banned Underground collection: in this sixth outing for the series Grizelda (the off-white witch) is forced to speculate about her future in fiction when the Dark Lord tempts her with his cookies, and then threatens her with eviction from her cottage if she doesn’t join The Dark Side.


Tempted, Grizelda sets off on a journey of self-discovery, but whatever is she likely to find, apart of course from a few frogs?

Is it Good to be Bad? Or is it Bad to be Good?  Or could there be a Third Way? Frogs, Vampires, and assorted witches and wizards all have a different view on her predicament, and the only certainty is Grizelda’s uncertainty … and the usual stream of gags, one-liners and slapstick jokes provoked by her thoughts on philosophy.

‘Lord Of The Rings as written by a stand up comedian to the soundtrack of Led Zeppelin IV’ said a reviewer on The Guardian’s Books page.



Sunday, March 8, 2015

Teen debuts fantasy novel: THE GOLDEN-SYPH

Meet I.G. Orozco at her upcoming book signing from 10 a.m. to noon, March 14, at Art St. Louis, 1223 Pine Street in St. Louis.

The Golden-Syph was created by a young teen who goes by the name I.G Orozco. She was born in Mexico but grew up in the United States. Her dream was to help her parents with  financial issues and especially to show people her imagination for their entertainment. Even though she has learning disabilities, she didn't let those problems stop her from writing a novel about her first character--one she imagined since she was eight.   

How have your learning disabilities affected your writing goals? I overcame the disability by being stubborn and ambitious in finishing my novel in a young age. It was definitely frustrating for I had some dyslexia and other language disabilities, but I still went though it anyway! Thanks to God! I still have those disabilities though, which raises suspicion to people. They would normally ask me, "How's it possible a girl like you with mental disorders be able to finish something that big." It was hurtful to hear that, sadly.

Describe the best writer you know and something wonderful he or she has written: I am a fan of C.S Lewis. How he made his writing combined with his fantasy and Christian spirituality is inspiring to many authors including me. His writing is intellectually funny and inspiring!

If you could meet one of your characters, who would it be and where would you meet? I would meet the main character of my novel, Kambing the Golden-Syph. He would be like the best friend that you could ever ask for! He will understand your pain, he will sacrifice his life for you if you're in danger, he's very innocent and caring and funny! I could go on with a giant list why I would wish that The Golden-Syph was real, but I guess I don't want to bore anyone!

What inspired your latest book? The characters were imagined by me and the storyline of the novel appeared in my dreams! It feels like a blessing to have dreams of your characters, because it feels like you're seeing them in person. It also amazed me how the dreams about the main storyline made so much sense and that the storyline had so much meaning behind it! 

THE GOLDEN-SYPH: The Golden-Syph, the story about a very special child with a very unique destiny that would change all of mankind. The child will amaze you through miracles created by just the touch of his finger. He's the type of person that you cannot hate because of his innocence and his mysterious personality. You will see things that you will least expect and become inspired when you read The Golden-Syph's story.  



Tuesday, March 3, 2015

Author Jane Davis explores how those missing from our lives affect us


Welcome to Jane Davis, who lives in Carshalton, Surrey, with her Formula 1 obsessed, star-gazing, beer-brewing partner, surrounded by growing piles of paperbacks, CDs and general chaos. Her first novel, Half-truths and White Lies, won the Daily Mail First Novel Award and was described by Joanne Harris as 'A story of secrets, lies, grief and, ultimately, redemption, charmingly handled by this very promising new writer.' The Bookseller featured her in their 'One to Watch' section. She has since published four further novels, These Fragile Things, I Stopped Time, A Funeral for an Owl, and An Unchoreographed Life. Compulsion Reads describe her as "a phenomenal writer whose ability to create well-rounded characters that are easy to relate to feels effortless." When Jane is not writing, you will find her halfway up a mountain with a camera in hand.  
  • Website: www.jane-davis.co.uk
  • Facebook: https://www.facebook.com/jane.davis.54966?ref=tn_tnmn
  • Twitter: https://twitter.com/janedavisauthor
How much fact is in your fiction? In terms of my own life, I plunder extensively. Not the facts, but the feelings. During the writing of HALF-TRUTHS & WHITE LIES, my old school was bull-dozed and every lunchtime I kept a silent vigil outside the gates and watched the wrecking crew. Through the voice of a male character, I talk about the emotion I experienced when watching the destruction of a building that held so many of my memories inside it.

My starting point might be something I know, a subject that I feel passionately about, but I also research extensively. Taking AN UNCHOREOGRAPHED LIFE as an example, in 2008, I was gripped by a court case, when, in an interesting twist, it was ruled that a prostitute had been living off the immoral earnings of one of her clients. Salacious headlines focused on the prostitute’s replies when she was asked to justify her charge of £20,000 a week. But the case also challenged perceptions of who was likely to be a prostitute. The answer turned out to be that she might well be the ordinary middle-aged woman with the husband and two teenage children who lives next door.

Then when changes to the law were proposed, I decided that this was a subject I really wanted to explore, but how could a writer who avoids bedroom scenes go about this? And then I began to imagine what life was like for the child of a prostitute. There was nowhere I could research that hidden subject. And it is always the thing that eludes you that becomes the story.

There were several areas of research: motherhood, ballet, prostitution and financial crime.
For motherhood, I researched developmental stages for six to eight year olds, but was very much reliant on my beta readers to comment on whether they felt that the mother and daughter relationship had an authentic feel.

In terms of ballet, six years of lessons in a cold church hall under the guidance of the extremely strict Miss Coral, to the accompaniment of an out-of-tune upright! Added to this, I read Meredith Daneman’s insightful biography of Margot Fonteyn. But one thing Margot Fonteyn didn’t do was retire. And so for the psychological impact of how an enforced retirement affects someone who feels that she was born to dance, I referred to personal accounts posted on the Internet. All described an identity crisis. That question: If I can’t dance, then who am I?

As with most of my research, I wasn’t starting from scratch. I read histories and biographies for my own interest and, for some time, I have been compiling ‘timelines’. I add every fact I can date, so that, whenever I set my fiction, I have a record not only of historical events, but also of what was on at the theatre, what people were reading, what was making the gossip columns. And so I already had an understanding that, had I been born in another age, the chances were that I would have been either a domestic servant or a prostitute - but quite possibly, both. Prior to 1823, domestics under the age of sixteen didn’t receive a salary. They worked a sixteen-hour day in return for ‘bed and board’, a very generous description of what was actually on offer. And, in return, when they reached the age of sixteen, they were cast out onto the streets.

I grew up within the footprint of Nelson’s paradise estate. The story of his mistress, Emma Hamilton, has always fascinated me. Born into extreme poverty and forced to resort to prostitution, she later became a muse for artists such as George Romney and Joshua Reynolds and a fashionista who bucked the tight-laced trends of the day. Completely self-educated, Emma continually reinvented herself, mixing in diplomatic circles and becoming confidante of both Marie Antoinette and the Queen of Naples.

Inevitably, while the project was taking shape, I read Belle de Jour. Since it was never my intention to write a book about sex, it was the everyday practicalities I wanted to understand: how the author rotated use of chemists so that she didn’t come under suspicion; her eating habits; her trips to the beauticians; which of her friends did and didn’t know what she did for a living. I also used the Internet extensively to source personal accounts, diaries, blogs and newspaper reports. How did sex-workers come to the attention of the police and social services? What were the main reasons they ended up in court? (The answer was generally tax evasion and financial crime, things I knew about from my day job.) How did sex workers see themselves? How did they view their clients? How did this perception change if they stopped? I also consulted The English Collective of Prostitutes, who very kindly allowed me to quote them my fictional newspaper article.

What inspired your latest book? In December 2013, I announced publicly that I was going to cut right back on paid work and spend a year trying to live on my earnings as an author. I was already earning very much less than I did at the height of my career as the deputy managing director of a firm of insurance brokers. Already, I had had no new clothes for over four years, but in December I got rid of my car and cut out all of the little luxuries - the takeaway coffees, for example. Everything that was not essential had to go. At the same time, mine was arguably low-level risk. My house is paid for and I have no dependents relying on me. If push comes to shove, I doubt my partner would let me starve. But as my world shrank even further I began to think about how much of our identities are bound up in the things that we surround ourselves with, much of them completely unnecessary, but the things that have become our armour. To my right as I sit here is my bookshelf. The selection of books on display in my dining room is not random. Each book tells part of my history and says something about me. 'If we are what we own, then who are we when we own nothing?' 

And so, in the first scene of my new novel, An Unknown Woman, I burn down my house and everything in it. Anyone who knows me will recognise that it is my house; those are my things. People who have read the early drafts asked me how could I do that? (Certainly, I’ve become quite paranoid about switching anything electrical off before I leave the house). Although the character is not me, I think that in order to make the emotion as raw and authentic as possible, you have to make it personal.

What are your top three reasons for writing? A lot is said about how essential it is to define your goals before you start writing. I disagree. I think it’s OK to have changing definitions of success. My background is business, and if it is obvious that your budget is unachievable by the mid-year point, you damned well revise it. It took me four years to write my first novel while working full-time. I was certainly looking for a creative outlet. My goal was to challenge myself; to see if I could finish a novel. To be honest, it seemed a vain ambition. It took me a long time to have the confidence to show it to anyone else but, once I started to get good reactions, I set my next goal: to find an agent. I found an agent, I set my next goal: to get published. Defining long-term goals can be off-putting if they seem like impossible dreams. There is also a danger that you may end up feeling as if you have failed personally, when the industry that we are operating within and reading trends are moving on so quickly. I find it better to take one step at a time, setting lots of short-term achievable goals. (Another 5-star review today, thank you very much.)

It took me some time to work out that the common theme running through my novels is the influence that missing persons have in our lives. (This shouldn’t have come as any great surprise to me since the death of a friend was what made me start to write.) In my experience, that influence can actually be greater than that of those who are present. In Half-truths and White Lies it was parents who weren’t around to answer questions. In I Stopped Time, it was an estranged mother. I addressed the theme head-on in A Funeral for an Owl, which considers teenage runaways. And in An Unchoreographed Life, Belinda grows up without knowing her father. 

Fiction provides the unique opportunity to explore one or two points of view. It is never going to provide the whole answer, but it does force both writer and reader to walk in another person’s shoes. And, in many ways, it is the exploration and not the answer that is important. The idea that there is a single truth is flawed. I have a sister who is less than a year older than me our memories of the same events differ substantially. There are many different versions of the truth and many layers of memory.

As my collection of books grows, I am beginning to see them as my legacy. As someone who doesn’t have children, they are the mark I will leave on the world. So my third reason for writing – one that I didn’t think about when I started to write - is to create a legacy that I can be proud of.

The Writers’ Lens is about "Bringing fiction into focus." What brings your writing into focus-- the characters, the stories, the love of words? Debbie Holt claims that there are plot-driven novels and character-driven novels. Hers fall into the latter category and I’m with her. My writing is all about the characters.

Sir Terry Pratchett uses a method that he calls The Valley of the Clouds. In the valley of the clouds there are mountains but you can only see the very tops of the peaks. It is your job as an author to work out how to get to the mountains.

I subscribe to the idea that you have a clear idea about your characters, put them in a scenario and take the idea to its natural conclusion. I don’t allow my characters any privacy. 
I know what they are thinking, what they are feeling, the things they lie about, all of their secret fears. But I only meet them at a particular point on their journeys, usually in a highly volatile or unstable situation, and then I throw them to the lions. How people behave under pressure reveals so much about them.  

If you’re lucky and you get the characters right, they will take control of the story and do the hard work for you. Sometimes it really does feel as if I can’t take all of the credit for what I’ve written. The books acquire an energy of their own, and I’m sure that’s down to the characterization. By the end of a novel, I might have been working with the same cast for up to four years. My characters become so real to me that it can be quite difficult to let go of them and to move onto the next writing project. I feel as if I’m cheating on them. 

What's the highest compliment someone could make about your writing? My writing career began with a big competition win. For a while I was hyped as the next Joanne Harris. But Transworld turned down my follow-up novel and I spent four years in the wilderness before I discovered self-publishing. Retreating into anonymity with my tail between my legs gave me the luxury of something you can’t buy: time. If I’d been under contract, I would have had to produce a book a year. I wrote my novel I Stopped Time as a tribute to my grandmother, who died the day before her 100th birthday and who lived through a period of incredible change. It is also my homage to the pioneers of photography. I borrowed from Jacques Henri Lartique’s intricate notes of his experimentation with what was a new medium when he was given his first camera as a boy. 

I read about Frank Hurley's creation of photo montages - an incredible use of the technology available at the time - because he said that he failed to capture the complete picture through the lens. I took inspiration for my main character from the life of Lee Miller. She was an extraordinary, extraordinary person. One of the most sought-after fashion models of her day, who became a muse to surrealist photographers and artists such as Man Ray and Picasso. But she had always yearned to be on the other side of the lens and, in time, she became highly respected for her own work. It was very important to me to get the detail right without overloading the reader with technicalities. And so I was delighted when one American reviewer wrote: ‘This book voiced everything I've held inside of me as a photographer. Stopping time...looking at the world with a different perspective. I found it to be affirming of all artists, but especially photographers.’



Half-truths and White Lies -- When Tom Fellows proclaims that a venn diagram is a far better way of illustrating modern family ties than a traditional tree, his young daughter Andrea has no idea that he is referring to their own situation.It is only when she loses both parents in a tragic car accident that she takes an interest in her own genealogy and begins to realize that her perfect upbringing was not all that it seemed... 

Venn Diagrams is a beautifully crafted, thought-provoking novel that questions the influence of the people who are missing from our lives. It examines the thin line between love and friendship, looking at our complex emotional needs. It also explores how one woman's life is dictated by her desire for children, whilst another's is shaped by her decision not to have them.
I Stopped Time -- Wouldn't you feel cheated if it turned out that the woman you'd imagined to be the villain of your childhood was actually someone rather extraordinary?

Edwardian Brighton. A wide-eyed girl enters Mr Parker’s photographic studio and receives her first lesson about the rising medium that is to shape her life: “Can you think of a really good memory? Perhaps you can see it when you close your eyes. Now think how much better it would be if you could take it out and look at whenever you wanted to!”

2009: Disgraced politician Sir James Hastings has resigned himself to living out his retirement in a secluded Surrey village. He doesn’t react when he learns that the mother who had abandoned him dies at the age of 108: he imagined she had died many years ago. Brought up by his father, a charismatic war-hero turned racing driver, the young James, torn between blaming himself and longing, eventually dismissed her as the ‘villain’ of his childhood. But, when he inherits her life’s work – a photography collection spanning over six decades - he is forced to both confront his past and re-evaluate what he wants from his old age. Assisted by student Jenny Jones, who has recently lost her own mother to cancer, Sir James is persuaded to look at the photographs as if he is seeing through his mother’s eyes, only to discover an extraordinary tale of courage and sacrifice.

“Three. I have three stories,” Lottie Parker tells her solicitor while putting her affairs in order. “But it was Oscar Wilde who said that a story is almost certainly a lie.”
These Fragile Things -- Gather close all that you hold dear. Life can change in a split second.

Parents: Ask yourselves how would you react if your 14-year old daughter claimed to be seeing visions?

Teenagers: would you risk ridicule and scorn - knowing others besides yourself will be affected - to voice a seemingly impossible claim?

As Streatham, South London, still reels from the riots in neighbouring Brixton, Graham Jones, an ordinary father, grows fearful for his teenage daughter Judy who faces a world where the pace of change appears to be accelerating. But even he cannot predict what will happen next. A series of events is about to be unleashed over which he will have no control, and the lives of his family will be turned upside-down. Judy Jones knows what it means to survive. Having already defied medical predictions, not only surviving after she was buried when a wall collapsed, but learning to walk again. She understands that she is changed. She has even learned to love her scars. But when Judy claims to be seeing visions, her father will call it a miracle, and, the headline-hungry press will label her The Miracle Girl. Horrified that her only child is becoming public property, Elaine’s claim on her daughter seems to be diminishing. Present when she came close to losing Judy a first time - knowing it was the paramedics and surgeons who saved her - she demands a medical explanation. But Judy, refusing to become caught up in her parents’ emotional tug-of-war, is adamant. She must tread her own path, wherever it takes her.

Delusion, deception, diabolic - or is it just possible that Judy’s apparitions are authentic?

This intense and emotionally charged portrait of a family deep in crisis will have you reflecting on everything you believe to be true.

Praise for These Fragile Things: "Davis is a phenomenal writer whose ability to create well-rounded characters that are easy to relate to felt effortless." (Compulsion Reads) "An elegant and understated prose style with a very satisfying rhythm. This is really very good writing indeed." (Debi Alper) "Leaves one panting to read more." (Jill Foulston)
A Funeral for an Owl -- Twenty years of change, One person who cares
What kind of a boy would it take to convince two high school teachers to risk their careers?
“Let me tell you what I’m willin’ to do for you. We start a new gang. Very exclusive. You and me.”

Times have changed since Jim Stevens chose to teach. Protocol designed to protect children now makes all pupil/teacher relationships taboo - even those that might benefit a student.

“Promise me one thing, Sir. If you decide you gotta pick up that phone, you tell me first so that I can disappear myself. Because I ain’t havin’ none of that.”
What kind of boy would cause Jim to risk his career? A boy who can clothe a word in sarcasm; disguise disdain with respect. So what is it that Jim finds he has in common with 14-year-old Shamayal Thomas as they study the large framed photograph of an owl that hands above the fireplace? It is Aimee White’s owl, to be specific. At least, that's how Jim thinks of it.

“The wings, all spread out and that? They’re kind of like an angel’s.”

A rule-keeper, Ayisha Emmanuelle believes the best way to avoid trouble is by walking away. But, arriving on the scene of what appears to be a playground fight, that isn’t an option. To her horror she finds her colleague Jim Stevens has been stabbed. In the messy aftermath, when Shamayal discloses that he and Jim are friends, Ayisha’s first duty is to report her colleague. But, not knowing if he will pull through, something makes her hesitate. Now, all she can do is wait to see if her instinct was justified. And waiting is something Ayisha has never been very good at.

An Unchoreographed Life -- New Thought-Provoking Fiction from Award-Winning Author, Jane DavisAN UNCHOREOGRAPHED LIFE: Mother and daughter: the most precious bond in the world

At six years old, Belinda Brabbage has amassed a wealth of wisdom and secret worries. She knows all the best hiding places in her Worlds End flat, how to zap monsters with her pig-shaped torch and that strangers will tempt you into their cars with offers of Fizzy Fish. Even so, it’s impossible to know how to behave when you don’t really understand who you are. Mummy doesn’t like to be plagued with questions about her family but, when she isn’t concentrating, she lets small nuggets slip, and Belinda collects them all, knowing they are pieces of a complicated jigsaw.

Exhausted single mother Alison hasn’t been able to picture the future for some time. Struggling from day to day, the ultimatums she sets herself for turning her life around slip by. But there is one clock she cannot simply re-set. Deny it though she may, Belinda is growing up. Having stumbled across Alison’s portfolio that mapped her life as a prima ballerina, her daughter already has a clearer idea of who she once was. Soon she’ll be able to work out for herself who she is - and what she does for a living.
With options running out, Alison travels to London’s suburbs to consult a blind clairvoyant, who transports her to a past she feels exiled from. However unlikely they sound, his visions of pelicans and bookshelves appear to herald change. A chance meeting with an affluent couple affords a glimpse of the life Alison desperately wants for her daughter. But can their offer of friendship be trusted?

More 'What Maisie Knew’ than 'Belle de Jour’, Davis’s unflinching new novel of a mother who turns to prostitution is populated with a deeply flawed and inimitably human cast, whose tumultuous lives are shored up by carefully-guarded secrets.