Wednesday, April 8, 2015

Advice on Pitching and Querying to Literary Agents and Publishers

March 2015 workshop, picture by Steven Langhorst
Advice on Pitching and Querying to Literary Agents and Publishers
By Brad R Cook

In March 2015 I gave the annual conference kick-off workshop to St. Louis Writers Guild titled Querying andPitching: How to Track down Literary Agents and Publishers. I wanted to share what we talked about that day, and what I’ve written about before for the Writers Lens, wrapped up in a single post.

In my workshop I referenced two previous articles on the Writers Lens where I discussed pitching. The first was The Mechanics of a Perfect Pitch and the second was Lens On: Pitching. Just click on the titles to view the articles.

I’ll let you read the articles – they repeat what I said at the workshop and then definitely check out the SLWG Author Series interview where I discussed the workshop.

SLWG Author Series interview with Brad R Cook 

My workshop is an amalgam of several other workshops and articles I’ve read or experienced over the years. It started when I first heard Chuck Sambuchino at The Writer’s Digest Conference in New York back in 2011 and mixes in advice from Jane Friedman, literary agent Kathleen Ortiz and several other sources with a few of my own experiences added in.   

If you are looking for query letter examples you can find hundreds of examples online, but I highly recommend Chuck Sambuchino’s website where he’s posted successful query letters. The best part, not only can you read the letter but you can also see comments from the agents themselves. Click Here for Query Letters. 

We also discussed ways to “Track” down literary agents and publishers using the website QueryTracker.net. I am a huge fan of the site and have used it for years. But it’s not the only one, you may prefer AgentQuery.com or see if an agent is listed in AAR, or one of the large literary groups, they often have lists of approved publishers or agents.

Let’s run over some of the basics –

These suggestions are for fiction genres. Non-fiction has a different set of rules. We touched on them in the workshop but I would recommend searching for tips and examples online.

A query letter should have three parts:
           
            First an introduction where you mention the title, word count, and genre. This is also the place to mention why you picked the agent or if you’ve met them before.

            Second a paragraph about the book, include the hook, the main character, and the main theme and plot of the book.

            Third is a short paragraph about the author.  

A log line is a short sentence or two about the book. It can also be referred to as an Elevator Pitch.

A synopsis is a 1-2 page single-spaced document that outlines the entire book – including the ending.

Don’t forget fictional manuscript formatting is 12 point standard font, in black, with a one inch border, and the first line of every paragraph indented.

There are now some online ways to pitch - but only at certain times - check out Pitch Madness on Twitter using the hash tag #PitMad. 

Allow me to leave you with this advice. It comes from literary agent Kathleen Ortiz. I asked her, what was the best advice she could offer someone who was pitching – “Keep it short, to the point, and deliver a good hook.”


Good luck with your query or pitch!

Tuesday, April 7, 2015

Rebecca P. McCray: Envisioned a world where cultural differences are valued

Welcome to Rebecca P. McCray! Her debut novel, The Journey of the Marked, tells the beginning of the epic Miyran Heir story. Currently, she resides in the western US, but has lived in various locations across the US and UK. Her interest in cultural anthropology contributed to the myriad of species and backgrounds incorporated into her new world. 

What brings your writing into focus-- the characters, the stories, the love of words? The characters drive my writing. I know my characters and love sharing the story through them. My book changes point of view with some frequency, which allows me to not only explore more than one personality, but tell the story from both sides of the conflict. 

How do you find time to write and do a demanding job? This is a tough one and definitely a reality. I wake early, so I can write before I go to work. Then, I try to write on the weekends. I have many readers eager for book two, which means this balance is important, and I’m finding ways to make it work. 

What inspired your latest book? First and foremost, I wanted the story to be fun. But the true inspiration comes from the following: I find cultural differences fascinating and enjoy traveling the world to learn about them. What I envisioned for this series is a world where such differences are not only respected, but valued. Regardless of ability or belief, an individual can contribute. However, as persecution and conflict are a part of life, I wanted to explore those, but in a different way, which you’ll see as the series evolves.

What do you think readers will like about your book? The excitement I hear from readers tend to center around two areas: the characters and the future. Many readers love Tip. He’s easy to understand and I think most of us can empathize with him. I know many respect Natal (see comment below) and find other characters interesting, as well. As for the future, I answered many questions in book one, but left a few key items open that need more story to be explained. I love hearing how anxious someone is to learn about a particular character or point in the book because it means the story really captured them.

If you could meet one of your characters, who would it be and where would you meet? Natal. Okay, yes, he’s one of the bad guys, but I find him respectable and intriguing. He believes in his cause, is very loyal, but is also willing to challenge authority or think outside of the box if he disagrees with something. If I’m being honest, there’s a little bit of “bad boy” attraction there, too. If I were to meet him, it would be somewhere well-lit with other people around — no back alleys for this one!

THE MIYRAN HEIR: On a distant planet, Eros thrives in the Human settlement he calls home. Raised to follow his grandfather's noble footsteps, he studies the details of each species that co-exists here. But when his sixteenth birthday arrives and he's called to fight, his life changes forever. Forced to abandon his home and relentlessly pursued by savage hunters, he joins forces with others, including a scrappy, street fighter named Kenrya, who loathes the planet's self-appointed rulers. As Eros faces perils that test his training and push the limits of his resolve, he and Kenrya must put aside their differences and learn to work together to survive. Discover this epic, dystopian adventure where an individual's unique abilities can change the course of the future.

Thursday, April 2, 2015

A Good Conference Equals Great Energy

Chesapeake Writing Workshop from bradrcook on instagram
A Good Conference Equals Great Energy
By Brad R Cook

Over the weekend I had the pleasure of attending the Chesapeake Writing Workshop and had such a good time that I want to share my experience with the rest of you.

The Chesapeake Writing Workshop was a two day, two city event part of a whole network of conferences going on this year. I attended the second day of the workshop which was held in Arlington Virginia, just across the Potomac River from Washington DC. (Friday March 27 or Saturday March 28) Read more here - http://chesapeakewritingworkshops.com/

The workshop is a one day event with lectures by Chuck Sambuchino of Writers Digest, including pitch sessions and a first page read handled by several literary agents. It’s everything a writer needs in a writing conference without taking up the whole weekend or your entire budget.

In fact, what I loved about the conference was the compact intensity. Don’t get me wrong I love running off to a long conference and hanging with my fellow writers over a series of days, but those can be prohibitively expensive. I know several of my fellow attendees this weekend were from the area surrounding our nation’s capital. For them this conference was nothing more than a tank of gas and the price of the conference. (I’m not providing the prices, because it depends on if you add pitch sessions or query critiques and I don’t know if they change for each individual workshop or not.) All of this information is available on their websites which are provided in the links below. Or just click here - http://chesapeakewritingworkshops.com/

I chose the Chesapeake Writing Workshop for several reasons, but it started when I found Chuck Sambuchino’s blog post about the series of workshops he was appearing at. I went through the ones that were closest to me, my family, and friends, but really I was looking at which agents were taking pitches at certain conferences.

I made a list, picked my conference, and zipped off to our nation’s capital. If you haven’t had the opportunity to hear Chuck Sambuchino speak I highly recommend it. I first heard him at the Writer’s Digest Conference in New York, and then when I was working on the Missouri Writers Guild Conference in 2014. He has a way of laying out the job and expectations for writers that is both encouraging and engaging.

Beyond the great time I had talking to writers and pitching to a literary agent, the energy that I am infused with after the event is worth the price of admission alone. It’s like a shot of writing adrenalin. I write for hours on end with a jazzed up enthusiasm I wish I could bottle. The feeling will last for weeks and I can't recommend enough, if you're a writer and are feeling down - seek out a conference. 

Now I have to get back to editing... 

Jessica Bell is the organizer of the writing workshops, and she did a great job managing not just this conference, but several this year. I also have to thank Alexis Grant of The Write Life www.thewritelife.com @thewritelife

Interested in a writers conference? I wrote a post listing several happening in 2015, read it here. http://www.thewriterslens.com/2015/01/conferences-for-writers-in-2015.html

To find more of the writing workshops in this series jump over to Chuck Sambuchino’s blog here. http://thewritelife.com/which-writers-conferences-are-the-best-to-attend/
Learn more about Chuck Sambuchino here http://www.writersdigest.com/editor-blogs/guide-to-literary-agents or on Twitter @chucksambuchino


Thank you to Jessica, Chuck, Alexis, and the other attendees – I had a blast and would return again. 





Brad R. Cook is the author of the YA Steampunk Series The Iron Chronicles. http://www.amazon.com/Iron-Horsemen-The-Chronicles/dp/0989207951. He is a contributor to The Writers Lens and Write Pack Radio. He currently serves as Historian of St. Louis Writers Guild after three and half years as its President. Learn more about his books and endeavors at www.bradrcook.com or on Twitter @bradrcook https://twitter.com/bradrcook. Follow my blog Thoughts from Midnight on tumblr http://bradrcook.tumblr.com/

Tuesday, March 31, 2015

Psychological thriller latest from award-winning author Amanda Williams

Welcome to Amanda Williams. She got hooked on writing when she did a two-year course on Creative Writing at Sussex University. She's had quite a number of short stories published and has an MA in Creative Writing and Authorship from Sussex University. The Eloquence of Desire was her first novel and was published in 2010. This was a historical romance and won an award from the Royal Literary Fund. It has been translated into Turkish. Her latest novel Just Two Weeks is a psychological thriller set in Sri Lanka and The Lakes in northern UK. This won the IPR Agents Pick. She loves cats and singing and is an Alto. She sings in Dawn Chorus in Brighton, where she lives with her husband. She mentors new novel writers. To read more about her, go to her website: amandasingtonwilliams.co.uk

 Links to Amanda:
What brings your writing into focus-- the characters, the stories, the love of words? The focus of my writing is the characterisations, narrative style, my love of words, good dialogue and scene setting. I always make sure I really know who my characters are, how thy operate, what their background is etc. I plot and re-plot for the story. I grew up surrounded by books and I love words, so good prose is an essential part of my writing as is good strong dialogue. The trick is to bring it all together into a good novel.
What do you think readers will like about your book? Just Two Weeks is a gripping psychological  thriller which will keep you on the edge of your seat. It will take you on a journey where there are unexpected twists and turns. You will feel the presence of the  characters and be transformed to the locations.
What’s your favorite writing accessory or reference? I work with the long edition of a Thesaurus by my side. 
What's the highest compliment someone could make about your writing? A reviewer said Just Two Weeks is one of the best psychological thrillers she has ever read. Compliments to match this would be great.
If you could meet one of your characters, who would it be and where would you meet? I would like to meet Rob, Jo's (the protagonist's ex-lover) I would like to meet him in a pub for a drink. 


JUST TWO WEEKS: Jolene’s two-week break in the sun turns into a nightmare when she meets Raquel, another holiday maker.

How could Jo have known this encounter would bring her past back to haunt her?

What does this woman want from her and is there really anyone she can trust?

After being made redundant from a seemingly secure job, Jolene Carr takes a two-week break in the sun. On the first day she meets Raquel, another hotel guest. Little does she realise how this apparently innocent acquaintance will lead to terrible and lasting consequences. After a frightening incident, she hits a conspiracy of silence from the locals and over the rest of the holiday she feels herself slipping into a vortex of fear. Back home, the nightmare continues and she realises that Raquel is stalking her. Her hippie mother and her partner Mark tell her she is imagining it all. All certainties, even about relationships, become fluid and treacherous as her past begins to unravel. If it wasn't for Rob, her ex-lover who Jolene thinks has his own agenda, she would be left to cope on her own. How much fear and betrayal can one person take?

Amanda’s second novel Just Two Weeks published by Golden Sand Books in 2014 won the IPR Agents Pick in 2013.

Her first novel, The Eloquence of Desire was published by Sparkling Books in 2010 and has been translated into Turkish. She won an award for this novel in 2007 from the Royal Literary Fund. 

Since 2006 when she first started writing, she has had many short stories published, including: Growing Pains by Bridgehouse Publishing, A Mother’s Love by Indigo Mosaic, Two Orchids by Sentinel Literary Quarterly, Unseasonable Weather by Dead Ink Press, The Woman at Number Six by Writing Raw, and many more.

Amanda has an MA in Creative Writing and Authorship from Sussex University and teaches Creative Writing in Brighton:

www.amandasintonwilliams.co.uk

Saturday, March 28, 2015

Broad Universe offers authors access to NetGalley reviews for low rate, per month

Reprinted from the Broad Universe page:

Broad Universe members and non-member authors can have their books posted on NetGalley, which allows reviewers, bloggers, booksellers, and librarians to download a digital review copy. This digital distribution service mimics the legacy process of sending out ARCs, or “galleys” to reviewers. Only it’s cheaper, easier, faster, more accessible, and kinder to the planet.

For only $25 per month for members [of BroadUniverse] or $45 per month for non-members, you can have a book posted to NetGalley. Once the book’s time on NetGalley is completed, you’ll receive a report with the names of reviewers who requested, downloaded, and reviewed your book, so you can track your results.

Info/link to application here:  Use NetGalley to Reach Book Reviewers Worldwide | Broad Universe


Thursday, March 26, 2015

Two attorneys discuss “Digital copyright for analog writers” at 4/4 Guild workshop


Mike Nepple
Attorneys Mark Sableman and Mike Nepple will discuss “Digital copyright for analog writers: Tips for protecting your creativity, your contracts, and your skin” at a workshop from 10 a.m. to noon, April 4. It will be held at the Kirkwood Community Center, 111 S. Geyer Rd, Kirkwood, Mo. Free to St. Louis Writers Guild members; $5 for nonmembers

Sableman and Nepple of Thompson Coburn LLP will provide an overview of contemporary copyright concerns, including recent developments in fair use, use of social media content, and internet infringement. They will also share practical tips on publishing and agency contracts.

Mark Sableman
Mark Sableman, a partner with Thompson Coburn LLP, has practiced copyright and media law for more than 35 years and has written and spoken extensively on copyright, intellectual property, media and internet issues. He writes the Internet Law Twists and Turns blog at internetlawtwists.com and has been listed in Best Lawyers in America since 1996. 

Mike Nepple, also a partner at Thompson Coburn LLP, focuses his practice in media and intellectual property litigation, and has participated in a number of major copyright cases in Missouri.


Learn more about the St. Louis Writers Guild at www.stlwritersguild.org.