The shovelful of dirt sprinkles across the man, struggling
to escape the ropes that holds him bound and mumbling against the gag that has
been shoved in his mouth, like spice being added to a stew. I turn back to the
pile of freshly upturned dirt and fill my shovel with another load. A slight
scraping of metal on rock breaks the otherwise silent night in the cemetery as
the shovel strikes some stones hidden in the dirt pile. I dump the next load of dirt into the hole
where the man lay and wait for the dust to settle to see his wide gaze in the
moonlight. It is met with my narrowed
eyes.
I turn again to fill my shovel and I see you approach as
skittish as a cat. I plunge the shovel blade into the pile and smile. “Good
evening and welcome back to another discussion on writing Hitchcockian.”
I see your eyes widen after you look down at the man and
stare back at me.
“Oh, never mind him. He is just my naysayer that society put
on my shoulder that whispers in my ear that I should be a corporate peg instead
of pursuing my dreams,” I say. “Besides, let us discuss something more
important . . . the universe you put your story or stories in.”
All playful imitation to how Alfred Hitchcock use to open
the long running television show Hitchcock Presents aside, like every
writer I would assume that you have spent a great deal of time creating the
world that your characters live in. It may be some fantasy world or in space or
even something more based in the here and now world, you have created a world
that lives and breathes in your mind and (you hope) your readers can identify
with. But did you know that Alfred Hitchcock, master director and the Master of
Suspense, had three worlds that he showed in each of his movies?
Many who have not seen an Alfred Hitchcock movie or have
seen them (and other classics) with a casual eye may feel that the world has
changed since they were made. Thos people would be wrong to think so. Yes,
technology has changed and there are certain social issues which are more in
the light rather than hidden in the shadows as they once were. But the three
worlds of Hitchcock live in our reality and should live in our stories. His
worlds were built with an eye to psychology, and we will discuss that in
another article on Writing Hitchcockian. The three worlds are:
- The world of reality (the Freudian Ego);
- The world of desire (the Freudian Id); and
- The world of the mind (the Freudian Super Ego).
The world of reality is the foundation of all of Hitchcock’s
movies. His films were set in the world he lived in. It was the stable
foundation on which his stories were built, and the world had to be shown in
it’s clear truthful existence. A fake world (a world that looked and felt like
it was filmed on some movie set) was intolerable. Hitchcock followed the rule
that you should never fool the audience with the scenery or setting. Nothing in
that world existed and interacted with the characters was arbitrary. He would
use this setting of his story world to magnify an event, foreshadow it, or even
lull his audience into a false sense of calm or inattentiveness to it. He never
hid anything from the audience during this time, he provided enough information
for the viewer and the characters to move on with—and thus did not create
arbitrary solutions to the character’s struggle or the story’s issues.
Some writers may be crying foul here and declaring that
their world is different from the real world.
Yet, like reality, it should have certain unbreakable rules that keep
the author, the characters and the reader on a fair playing field. Your world,
regardless if it has knights, cops, drug dealers, magic, fairies, vampires, or
little Ewoks running around, must be a place that your reader can feel like
they could live in and understand. When you are writing, the world you create
should feel absolutely real to the reader or you will kick them out of the
story and they are likely to put your book down (if not into a donation box)
and never read your work again.
In the next edition of Writing Hitchcockian, I will discuss the second of the story world
of Alfred Hitchcock.
Thank you for reading and please visit www.davidalanlucas.com and www.thewriterslens.com.
You can also follow me on twitter @Owlkenpowriter and the Writer’s Lens
@TheWritersLens. Fiction is the world where the philosopher is the most free in
our society to explore the human condition as he chooses.
There are a lot of resources on Alfred Hitchcock. The
primary one for this part of the series is:
Douchet, Jean. “Hitch and His Public.” Translator Berena
Andermatt Conley A Hitchcock Reader, 2nd
edition. Eds. Marshall Duentelbaum and Leland A. Poague: Wiley, John &
Sons, Incorporated, 2009. 17-24. Print.
